Tremors 2: Die Rückkehr der Raketenwürmer (1996)
Die Killerwürmer tauchen wieder auf und können dieses Mal sogar laufen! Earl Basset trommelt ein paar Kumpel und eine Wissenschaftlerin zusammen und macht sich auf die Jagd.
Der Regisseur: S.S. Wilson
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Fred Ward as Earl Bassett |
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Helen Shaver as Kate 'White' Reilly |
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Chris Gartin as Grady Hoover |
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Michael Gross as Burt Gummer |
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Marcelo Tubert as Senor Ortega |
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José Ramón Rosario as Pedro |
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Marco Hernández as Julio |
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Thomas Rosales Jr. as Oil Worker |
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S.S. Wilson as War Documentary Narrator (uncredited) |
| Production | Christopher DeFaria | Producer |
| Writing | Ron Underwood | Characters |
| Directing | S.S. Wilson | Director |
| Writing | Brent Maddock | Characters |
| Camera | Virgil L. Harper | Director of Photography |
| Production | Nancy Roberts | Producer |
| Production | Brent Maddock | Executive Producer |
| Writing | S.S. Wilson | Writer |
| Sound | Jay Ferguson | Original Music Composer |
| Writing | S.S. Wilson | Characters |
| Editing | Bob Ducsay | Editor |
| Writing | Brent Maddock | Writer |
| Production | Ron Underwood | Executive Producer |
| Crew | Tom Elliott | Stunts |
| Crew | Phil Tippett | CGI Supervisor |
| Crew | Thomas Rosales Jr. | Stunts |
| Art | Mike Malone | Set Dresser |
| Crew | Ernie F. Orsatti | Stunts |
| Costume & Make-Up | Camille Henderson | Makeup Department Head |
| Production | Gregg Edler | Production Coordinator |
| Directing | Jeffrey Wetzel | First Assistant Director |
| Sound | Lawrence L. Commans | Boom Operator |
| Crew | Noon Orsatti | Stunt Coordinator |
| Art | Ken Larson | Art Direction |
| Directing | Harri James | Script Supervisor |
| Production | Meryl O'Loughlin | Casting |
| Art | Ivo Cristante | Production Design |
| Sound | Greg Back | Sound Effects Editor |
| Sound | Marian Wallace | Sound Re-Recording Mixer |
| Lighting | Gus Olivia | Best Boy Electric |
| Art | Batia Grafka | Property Master |
| Art | Susan Bradley | Title Designer |
| Sound | Dan Gecenok | Sound Effects Editor |
| Camera | Jeff Mart | Steadicam Operator |
| Camera | Gus Vasquez | Key Grip |
| Costume & Make-Up | Rudy Dillon | Costume Design |
| Art | César Díez Álava | Property Master |
| Art | Aaron Mays | Construction Foreman |
| Lighting | Bobby Vercruse | Rigging Gaffer |
| Production | Ninon Tantet | Production Supervisor |
| Art | Peter M. Gurski | Leadman |
| Camera | Brad Draper | Dolly Grip |
| Art | Michele Poulik | Set Decoration |
| Camera | Kimberly Wright | Still Photographer |
| Sound | Robert Garrett | Music Editor |
| Lighting | Brad Draper | Gaffer |
| Art | Roger Kelton | Construction Coordinator |
| Sound | Larry Goeb | Dialogue Editor |
| Sound | Donald P. Zappala | ADR Editor |
| Camera | Jim Sanfilippo | Best Boy Grip |
| Crew | Spiro Razatos | Stunts |
| Production | Cristen Carr Strubbe | Unit Production Manager |
| Directing | Peter Chesney | Second Unit Director |
| Directing | Hilbert Hakim | Second Assistant Director |
