Ein Jahr in der Hölle (1982)
1965 wird der junge australische Journalist Guy Hamilton für seinen ersten Auslandsauftrag nach Indonesien geschickt. Als die Spannung in Djakarta steigt, verhilft ihm der halbchinesische Fotograf Billy Kwan zu den richtigen Kontakten für aufregende Stories. Außerdem verliebt sich Guy in die Botschaftsangestellte Jill und beginnt, sich angesichts des drohenden Bürgerkrieges Gedanken über das zu machen, was er für die Moral seines Berufs hält...
Der Regisseur:
Peter Weir
Die Autor:
Peter Weir, C.J. Koch, David Williamson.
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Mel Gibson as Guy Hamilton |
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Sigourney Weaver as Jill Bryant |
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Linda Hunt as Billy Kwan |
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Michael Murphy as Pete Curtis |
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Bill Kerr as Colonel Henderson |
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Noel Ferrier as Wally O'Sullivan |
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Bembol Roco as Kumar |
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Paul Sonkkila as Kevin Condon |
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Domingo Landicho as Hartono |
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Kuh Ledesma as Tiger Lily |
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Hermino De Guzman as Immigration Officer |
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Ali Nur as Ali |
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Dominador Robridillo as Betjak Man |
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Joel Agona as Palace Guard |
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Mike Emperio as Sukarno |
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Bernardo Nacilla as Dwarf |
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Coco Marantha as Pool Waiter |
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Norma Uatuhan as Ibu |
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Lito Tolentino as Udin |
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Cecily Polson as Moira |
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David Oyang as Hadji |
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Mark Egerton as Embassy Aide |
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Joonee Gamboa as Naval Officer |
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Pudji Waseso as Officer in Cafe |
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Joel Lamangan as Security Man No. 1 |
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Mario Layco as Security Man No. 2 |
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Jabo Djohansjan as Doctor |
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Agoes Widjaya Soedjarwo as Roadblock Soldier |
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Chris Quivak as Airport Official |
| Writing | Peter Weir | Screenplay |
| Sound | Maurice Jarre | Original Music Composer |
| Production | Jim McElroy | Producer |
| Directing | Peter Weir | Director |
| Camera | Russell Boyd | Director of Photography |
| Editing | William M. Anderson | Editor |
| Writing | C.J. Koch | Screenplay |
| Writing | C.J. Koch | Novel |
| Directing | Moya Iceton | Continuity |
| Camera | Nixon Binney | Camera Operator |
| Art | Herbert Pinter | Art Direction |
| Camera | John Seale | Second Unit Director of Photography |
| Sound | Gary Wilkins | Sound Recordist |
| Production | Carolynne Cunningham | Production Coordinator |
| Camera | Ray Brown | Key Grip |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Directing | Mark Egerton | First Assistant Director |
| Costume & Make-Up | Judy Lovell | Makeup Artist |
| Directing | Chris Webb | Second Assistant Director |
| Sound | Mark J. Wasiutak | Boom Operator |
| Lighting | Brian Bansgrove | Gaffer |
| Lighting | Paul Gantner | Best Boy Electric |
| Costume & Make-Up | Anthony Jones | Costume Supervisor |
| Production | Alison Barrett | Casting |
| Camera | Jim Townley | Still Photographer |
| Production | Elaine Crowther | Production Accountant |
| Directing | Michael Bourchier | Third Assistant Director |
| Costume & Make-Up | Cheryl Williams | Hairstylist |
| Production | Mark Egerton | Production Supervisor |
| Art | Anni Browning | Assistant Art Director |
| Production | Freddie Fields | Executive Producer |
| Visual Effects | Roger Cowland | Visual Effects |
| Directing | Ken Richardson | Assistant Director |
| Art | Fran Burke | Title Designer |
| Sound | Andrew Steuart | Sound Editor |
| Sound | Phil Heywood | Sound Mixer |
| Directing | Jose Angeles | Assistant Director |
| Directing | Ulysses Formanez | Assistant Director |
| Sound | Ron Purvis | Sound Recordist |
| Crew | Peter West | Stunt Driver |
| Directing | Wayne Barry | First Assistant Director |
| Sound | Spencer Lee | Sound Engineer |
| Sound | Peter Fenton | Dialogue Editor |
| Directing | Robert Woolcott | Assistant Director |
| Crew | Danny Dominguez | Special Effects |
| Writing | David Williamson | Screenplay |
