Kuß der Spinnenfrau (1985)
Luis Molina und Valentin Arregui sind Zellengenossen in einem südamerikanischen Gefängnis. Luis ist wegen Verführung Minderjähriger inhaftiert und Valentin ist ein politischer Gefangener. Um der Realität zu entfliehen, schwärmt Luis von romantischen Filmen, während Valentin versucht, erst einmal die ausweglose Situation, in der er sich befindet, zu erfassen. Die völlig unterschiedlichen Charaktere müssen lernen, auf engstem Raum Verständnis und Respekt füreinander aufzubringen.
Der Regisseur:
Héctor Babenco
Der Autor:
Leonard Schrader
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William Hurt as Luis Molina |
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Raúl Juliá as Valentin Arregui |
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Sonia Braga as Leni Lamaison / Marta / Spider Woman |
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José Lewgoy as Warden |
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Milton Gonçalves as Pedro |
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Miriam Pires as Mother |
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Nuno Leal Maia as Gabriel |
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Fernando Torres as Americo |
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Patricio Bisso as Greta |
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Herson Capri as Werner |
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Denise Dumont as Michele |
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Nildo Parente as Leader of Resistance |
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Antônio Petrin as Clubfoot |
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Wilson Grey as Flunky |
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Miguel Falabella as Lieutenant |
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Walter Breda as Agent #1 |
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Luiz Guilherme as Agent #2 |
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Walmir Barros as Agent #3 |
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Luis Serra as Prison Doctor |
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Ana Maria Braga as Lidia |
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Benjamin Cattan as Molina's Friend #1 |
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Oswaldo Barreto as Molina’s Friend #2 |
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Sergio Bright as Molina’s Friend #3 |
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Claudio Curi as Molina’s Friend #4 |
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Lineu Dias as Bank Cashier |
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Joe Kantor as Judge |
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Luis Roberto Galizia as Nurse |
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Péricles Campos as Prison Guard #1 |
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Edmilson Santos as Prison Guard #2 |
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Walter Vicca as Prison Guard #3 |
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Ken Kaneko as Prison Guard #4 |
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Geogers Schlesinger as Jewish Smuggler |
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Carlos Fariello as Jewish Smuggler |
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Frederico Botelho as Jewish Smuggler |
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Sylvio Band as Rabbi |
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Paulo Ludmer as Rabbi |
| Writing | Leonard Schrader | Screenplay |
| Production | Francisco Ramalho Jr. | Executive Producer |
| Production | David Weisman | Producer |
| Directing | Héctor Babenco | Director |
| Camera | Rodolfo Sánchez | Director of Photography |
| Editing | Mauro Alice | Editor |
| Writing | Manuel Puig | Novel |
| Sound | Nando Cordeiro | Original Music Composer |
| Sound | John Neschling | Original Music Composer |
| Editing | Rebecca Nicolaou | Assistant Editor |
| Editing | Lee Percy | Additional Editing |
| Editing | Helen Hahn | Negative Cutter |
| Production | Rebecca Nicolaou | Post Production Coordinator |
| Sound | Allen Hartz | Sound Editor |
| Sound | Jeff Rosen | Sound Editor |
| Sound | Lorie O'Shatz | Sound Editor |
| Editing | Dennis McNeill | Color Timer |
| Sound | Hugo Weng | Sound Editor |
| Sound | Susan Dudeck | Supervising Sound Editor |
| Sound | Paul Coombe | Sound Re-Recording Mixer |
| Production | Michael Maiello | Associate Producer |
| Crew | Burt Lancaster | Thanks |
| Sound | Gary Gegan | Foley Mixer |
| Art | Felipe Crescenti | Set Designer |
| Art | Clovis Bueno | Art Direction |
| Art | Robert Dawson | Title Designer |
| Directing | Amilcar Monteiro Claro | Assistant Director |
| Directing | Flávio R. Tambellini | Assistant Director |
| Costume & Make-Up | Patricio Bisso | Costume Design |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Sound | Peter Waggoner | Sound Re-Recording Mixer |
| Production | John Paul Lussier | Unit Production Manager |
| Sound | Scott Ganary | Foley Mixer |
| Production | Jane Holzer | Associate Producer |
| Sound | Val Kuklowsky | ADR Editor |
| Costume & Make-Up | Guilherme Pereira | Makeup Artist |
| Directing | Alberto Gieco | Continuity |
