White Noise - Schreie aus dem Jenseits (2005)
Nach dem tragischen Tod seiner Frau entdeckt Architekt Jonathan Rivers die unheimliche Wissenschaft des „Electronic Voice Phenomenon“ (EVP) – der Prozess, mit dem die Toten mit den Lebenden kommunizieren: über Stimmen und Bilder im statischen, weißen Rauschen elektronischer Geräte. Mit Hilfe des Sonderlings Price, der solche Botschaften aus dem Totenreich systematisch analysiert, gelingt es Jonathan, Kontakt mit seiner Frau Anna aufzunehmen. Und die warnt ihn: Kontakt zu suchen ist eine Sache, sich einzumischen eine andere. Schon bald wird ihm klar, dass niemand kontrollieren kann, was hinter der Tür zum Jenseits lauert …
Der Regisseur: Geoffrey Sax
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Michael Keaton as Jonathan Rivers |
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Deborah Kara Unger as Sarah Tate |
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Chandra West as Anna Rivers |
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Ian McNeice as Raymond Price |
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Sarah Strange as Jane |
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Nicholas Elia as Mike Rivers |
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Mike Dopud as Detective Smits |
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Marsha Regis as Police Woman |
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Brad Sihvon as Minister |
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Mitchell Kosterman as Work Man |
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L. Harvey Gold as Business Man |
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Amber Rothwell as Susie Tomlinson |
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Suzanne Ristic as Mary Freeman |
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Keegan Connor Tracy as Mirabelle |
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Miranda Frigon as Car Crash Woman |
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Aaron Douglas as Young Father |
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Anthony Harrison as Doctor |
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Bruce Dawson as Mark |
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Benita Ha as TV Reporter |
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Anastasia Corbett as Young Girl (EVP) |
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Micki Maunsell as Edith Tomlinson |
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Ross Birchall as Young Boy (EVP) |
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Peter Bryant as Man (EVP) |
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Bill Tarling as Presence #1 |
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Chuck Walkinshaw as Presence #2 |
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Colin Chapin as Presence #3 |
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April Telek as John's Secretary |
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Michale Ascher as Woman |
| Directing | Geoffrey Sax | Director |
| Production | Paul Brooks | Producer |
| Production | Simon Brooks | Executive Producer |
| Camera | Chris Seager | Director of Photography |
| Editing | Nick Arthurs | Editor |
| Lighting | Robert Little | Rigging Grip |
| Production | Maureen Webb | Casting |
| Art | Michael S. Bolton | Production Design |
| Art | Gregory G. Venturi | Art Direction |
| Art | Penny A. Chalmers | Set Decoration |
| Costume & Make-Up | Karen L. Matthews | Costume Design |
| Costume & Make-Up | Shelly Shaw | Costume Supervisor |
| Production | Stephen Hegyes | Executive Producer |
| Production | Scott Niemeyer | Executive Producer |
| Production | Jonathan Shore | Associate Producer |
| Production | Norm Waitt | Executive Producer |
| Production | Shawn Williamson | Producer |
| Sound | Claude Foisy | Original Music Composer |
| Sound | Hugh Johnson | Sound Designer |
| Art | Dave Conway | Construction Coordinator |
| Art | Richard Dobbin | Construction Foreman |
| Art | Frank Haddad | Greensman |
| Art | Kimberly Lozinski | Location Scout |
| Art | Iesza Jessica Jordan | Sculptor |
| Camera | Dave Roman | First Assistant Camera |
| Camera | Michael Taschereau | Key Grip |
| Camera | Rick Jermakowicz | Grip |
| Camera | Marty McInally | Steadicam Operator |
| Camera | Chris Helcermanas-Benge | Still Photographer |
| Costume & Make-Up | Linda Leduc | Assistant Costume Designer |
| Costume & Make-Up | Mary L. Hart-Mastro | Hairstylist |
| Costume & Make-Up | Adina Shore | Key Hair Stylist |
| Costume & Make-Up | Gene McCormick | Makeup Artist |
| Costume & Make-Up | Elaine Arsens | Set Costumer |
| Costume & Make-Up | Tony Beck | Set Dressing Artist |
| Crew | Richard Barrett | Carpenter |
| Crew | Graham Cristie | CGI Supervisor |
| Crew | Erika Espinosa | Chef |
| Crew | Jamie Humphrey | Craft Service |
| Crew | Reg Advocaot | Driver |
| Crew | Chris Doss | Executive in Charge of Finance |
| Crew | Lisa Sweet | Post Production Supervisor |
| Art | Kimberley Regent | Property Master |
| Crew | Judi Varga | Scenic Artist |
| Crew | Susan Kearney | Security |
| Crew | Tim Storvick | Special Effects Coordinator |
| Crew | Rob Court | Stand In |
| Crew | Randy Lee | Stunt Coordinator |
| Crew | Jill Allanson | Telecine Colorist |
| Crew | Dean Capstick | Transportation Captain |
| Crew | Donald James Davey | Transportation Co-Captain |
| Crew | David R. Anderson | Transportation Coordinator |
| Crew | Barry Kaiser | Video Assist Operator |
| Crew | Simon Allmark | Visual Effects Editor |
| Directing | Richard Coleman | First Assistant Director |
| Directing | Natalie Allan | Script Coordinator |
| Directing | Jessica Clothier | Script Supervisor |
| Editing | Lalit Goyal | First Assistant Editor |
| Lighting | Dave Klassen | Best Boy Electric |
| Lighting | John Dekker | Gaffer |
| Lighting | Rod Newby | Rigging Gaffer |
| Production | Greg Jackson | Location Manager |
| Production | Anne Jacobsen | Production Accountant |
| Production | Michele O'Flanagan | Production Coordinator |
| Production | Pascal Verschooris | Production Manager |
| Sound | Deni King | ADR Supervisor |
| Sound | Mark Noda | Boom Operator |
| Sound | Owen Bleasdale | Foley Editor |
| Sound | Lee Kerr | Music Editor |
| Sound | Randy Gerston | Music Supervisor |
| Sound | Miha Jaramaz | Sound Editor |
| Sound | Mike Grimes | Sound Effects Editor |
| Sound | William Skinner | Sound Mixer |
| Sound | Bernard O'Reilly | Supervising Sound Editor |
| Visual Effects | George Barbour | 3D Artist |
| Visual Effects | Sarah Cloutier | Visual Effects Coordinator |
| Visual Effects | Sharon Lark | Visual Effects Producer |
| Visual Effects | Simon Giles | Visual Effects Supervisor |
| Sound | Mark Kenna | Dolby Consultant |
| Sound | Stewart Henderson | Dialogue Editor |
| Costume & Make-Up | Emanuela Daus | Assistant Makeup Artist |
| Costume & Make-Up | Michelle Lambert | Costumer |
| Costume & Make-Up | Deborah Slonowski | First Assistant Makeup Artist |
| Costume & Make-Up | Andy Koessler | On Set Dresser |
| Directing | Glenn Bottomley | Second Assistant Director |
| Directing | Karin Behrenz | Third Assistant Director |
| Art | Doris Deutschmann | Graphic Designer |
| Art | Robin Thomas | Paint Coordinator |
| Art | Shelly Shaw | Set Supervisor |
| Art | David Allcock | Storyboard Artist |
| Sound | Michele Woods | ADR Editor |
| Sound | Adam Sharpe | ADR Mixer |
| Sound | Dan Green | ADR Recordist |
| Sound | Melissa Lake | Foley Artist |
| Sound | Gianluca Buttari | Foley Mixer |
| Sound | Hilary Wyatt | Supervising Dialogue Editor |
| Crew | Ron Kozier | Special Effects Assistant |
| Crew | Don Leask | Special Effects Best Boy |
| Visual Effects | Gavain Browne | 2D Artist |
| Crew | Carolyn Anderson | Stunt Double |
| Crew | Ed Anders | Stunt Driver |
| Camera | Lionel Hebert | Best Boy Grip |
| Camera | Jesse Sannerud | Camera Trainee |
| Camera | Clif Kosterman | Camera Truck |
| Camera | Dave Dibdin | Dolly Grip |
| Camera | Scott Cozens | Second Assistant Camera |
| Production | Abigail Barbier | ADR Voice Casting |
| Editing | Sarah Carefoot | Colorist |
| Editing | Jet Omoshebi | Digital Intermediate Colorist |
| Editing | Chris Andrews | Negative Cutter |
| Production | Nicola Instone | Post Production Coordinator |
| Production | Shane Lennox | Assistant Location Manager |
| Production | Randy Kennedy | Location Production Assistant |
| Sound | Brian Leff | Music Coordinator |
| Production | Alan Homma | Assistant Accountant |
| Crew | Luz Gabriela Rosas Rojas | Assistant Chef |
| Production | Adam R. Mehr | Attorney |
| Crew | Ross Kulak | Cast Driver |
| Visual Effects | Valeri Pfahning | Compositing Supervisor |
| Production | Raimey Casiro | Key Production Assistant |
| Lighting | Johnny Walker | Key Rigging Grip |
| Production | John MacCulloch | Production Assistant |
| Production | Alan Martin | Production Executive |
| Crew | Loralee Wilson | Security Coordinator |
| Crew | Brian Knox McGugan | Playback Coordinator |
| Sound | Ben Meechan | Sound Effects Editor |
| Crew | Garvin Cross | Stunt Double |
| Crew | Curt Bonn | Stunt Driver |
| Sound | Jack Stew | Foley Artist |
| Costume & Make-Up | Robert Ryan | Makeup Artist |
| Writing | Niall Johnson | Writer |
