Un movimiento extraño (2024)
Buenos Aires, 2019. Lucrecia, die als Museumswärterin arbeitet, sagt mithilfe ihres Pendels einen starken Anstieg des Dollarkurses voraus und verliebt sich in einen Angestellten einer Wechselstube.
Der Regisseur:
Francisco Lezama
Der Autor:
Francisco Lezama
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Laila Maltz as Lucrecia |
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Paco Gorriz as Guy from Exchange Office |
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Sofía Palomino as Security 1 |
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Jorge Prado as Security 3 |
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Cecilia Rainero as HR Manager 2 |
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Marcela Guerty as HR Manager 1 |
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Guillermo Massé as Security 2 |
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Susana Pampín as Customer |
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Alejandro Russek as Grindr Guy |
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Eugenia Alonso as Customer |
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Pablo Cura as |
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Antonia Aguirre as |
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Olivia Daiez as |
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Silvia Dietrich as |
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Agustín García Moreno as |
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Juanse Alamos as |
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Denis Corzo as |
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Claudia Ardiles as |
| Directing | Francisco Lezama | Director |
| Writing | Francisco Lezama | Screenplay |
| Camera | Federico Lastra | Director of Photography |
| Editing | Franco Figueroa | Editor |
| Production | Juan Segundo Álamos | Producer |
| Production | Iván Moscovich | Producer |
| Production | Adrien Cothier | Producer |
| Production | Jerónimo Quevedo | Producer |
| Production | Victoria Marotta | Producer |
| Directing | Manuel Setton | Assistant Director |
| Sound | Gabriel Real | Sound |
| Art | Alix Cobelo | Art Direction |
| Sound | Nahuel Palenque | Sound Designer |
| Sound | Nahuel Palenque | Sound Mixer |
| Editing | Ada Frontini | Color Grading |
| Camera | Ana Roy | Assistant Camera |
| Art | Juan Moralejo | Graphic Designer |
| Editing | Francisco Lezama | Editor |
| Costume & Make-Up | Alix Cobelo | Costume Design |
| Art | Paloma de La Jara | Assistant Art Director |
| Costume & Make-Up | Paloma de La Jara | Assistant Costume Designer |
| Costume & Make-Up | Catalina Szejnblum | Assistant Costume Designer |
| Art | Catalina Szejnblum | Assistant Art Director |
| Art | Alicia Boffi | Assistant Art Director |
| Costume & Make-Up | Alicia Boffi | Assistant Costume Designer |
| Production | Francisco Lezama | Producer |
| Production | Lili Fini Zanuck | Executive Producer |
| Production | Axel Kuschevatzky | Executive Producer |
| Production | Cindy Teperman | Co-Executive Producer |
| Production | Phin Glynn | Co-Executive Producer |
| Production | Delfina Montecchia | Co-Executive Producer |
| Production | Juan Segundo Álamos | Production Manager |
| Production | Iván Moscovich | Production Manager |
| Production | Paula Saidón | Production Manager |
| Production | Jorge Mauricio Britos | Production Assistant |
| Production | Maximiliano Lacaze | Production Assistant |
| Production | Lautaro García Candela | Production Assistant |
| Sound | Javier Jensen | Sound |
| Sound | Wilmer Ibague | Additional Sound Re-Recording Mixer |
| Camera | Francisco García Morteo | Second Assistant Camera |
| Camera | Juan Scaiola | Second Assistant Camera |
| Camera | Josefina Matus | Second Assistant Camera |
| Lighting | Julián Hercovich | Gaffer |
| Lighting | Santiago Galafassi | Electrician |
| Sound | Miren Begoña Cortazar | Foley Artist |
| Sound | Valentín Pelisch | Foley Recordist |
| Crew | Emilia Faure | Post Production Assistant |
| Production | Juan Martín Hsu | Post Producer |
| Crew | María Marta Antin | Thanks |
| Crew | Mara Bestelli | Thanks |
| Crew | Ignacio Botta | Thanks |
| Crew | Paula Félix-Didier | Thanks |
| Crew | Agostina Gálvez | Thanks |
| Crew | Juana García Blaya | Thanks |
| Crew | Lucas Granero | Thanks |
| Crew | Daniela Korovsky | Thanks |
| Crew | Fernando Martín Peña | Thanks |
| Crew | Maximiliano Passarelli | Thanks |
| Crew | Juan Manuel Pinzon | Thanks |
| Crew | Martín Rejtman | Thanks |
| Crew | Juan Renau | Thanks |
| Crew | Martín Shanly | Thanks |
| Crew | Malena Solarz | Thanks |
| Crew | Eloísa Solaas | Thanks |
| Crew | Ezequiel Yanco | Thanks |
| Crew | Felipe Yaryura | Thanks |
| Crew | Nicolás Zukerfeld | Thanks |
