Dracula (1931)
Ende des 19. Jahrhunderts reist der Makler Renfield im Auftrag des englischen Geschäftsmannes Jonathan Harker nach Transsylvanien. Er soll dort mit Graf Dracula ein Immobiliengeschäft abschließen. Der Graf entpuppt sich als Vampir, kerkert Harker ein und reist an seiner Stelle nach London zurück, wo sein Begehr auf Harkers Geliebte Mina fällt. Doch bevor Dracula sie beißen und zu seiner Sklavin machen kann, schreitet der Vampirjäger Van Helsing ein.
Der Regisseur:
Tod Browning
Der Autor:
Garrett Fort
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Bela Lugosi as Count Dracula |
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Helen Chandler as Mina |
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David Manners as John Harker |
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Dwight Frye as Renfield |
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Edward Van Sloan as Van Helsing |
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Herbert Bunston as Doctor Seward |
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Frances Dade as Lucy |
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Joan Standing as Maid |
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Charles K. Gerrard as Martin |
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Anna Bakacs as Innkeeper's Daughter (uncredited) |
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Bunny Beatty as Flower Girl (uncredited) |
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Nicholas Bela as Coach Passenger (uncredited) |
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Daisy Belmore as Coach Passenger (uncredited) |
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William A. Boardway as Concertgoer Outside Theatre (uncredited) |
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Barbara Bozoky as Innkeeper's Wife (uncredited) |
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Tod Browning as Harbormaster (voice) (uncredited) |
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Moon Carroll as Maid (uncredited) |
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Geraldine Dvorak as Dracula's Bride (uncredited) |
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John George as Small Scientist (uncredited) |
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Anita Harder as Bit (uncredited) |
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Carla Laemmle as Coach Passenger (uncredited) |
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Wyndham Standing as Surgeon (uncredited) |
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Cornelia Thaw as Dracula's Bride (uncredited) |
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Dorothy Tree as Dracula's Bride (uncredited) |
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Josephine Velez as Grace, English Nurse (uncredited) |
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Michael Visaroff as Innkeeper (uncredited) |
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Florence Wix as Concertgoer Outside Theater (uncredited) |
| Directing | Tod Browning | Director |
| Writing | Bram Stoker | Novel |
| Writing | Hamilton Deane | Theatre Play |
| Writing | John L. Balderston | Theatre Play |
| Camera | Karl Freund | Director of Photography |
| Editing | Milton Carruth | Editor |
| Production | Tod Browning | Producer |
| Production | Carl Laemmle Jr. | Producer |
| Art | Charles D. Hall | Art Direction |
| Sound | C. Roy Hunter | Recording Supervision |
| Editing | Maurice Pivar | Supervising Film Editor |
| Crew | Charles A. Logue | Scenic Artist |
| Directing | Charles Logue | Script Supervisor |
| Writing | Frederick Stephani | Writer |
| Writing | Dudley Murphy | Dialogue |
| Production | E.M. Asher | Associate Producer |
| Costume & Make-Up | Jack Pierce | Makeup Artist |
| Directing | Karl Freund | Co-Director |
| Camera | Joseph Brotherton | Second Unit Director of Photography |
| Sound | Heinz Roemheld | Music Supervisor |
| Writing | Garrett Fort | Screenplay |
| Writing | Louis Bromfield | Writer |
| Writing | Tod Browning | Writer |
| Writing | Max Cohen | Other |
| Crew | Dudley Murphy | Additional Dialogue |
| Writing | Louis Stevens | Writer |
| Production | Phil M. Friedman | Casting |
| Art | Herman Rosse | Production Design |
| Art | Russell A. Gausman | Set Decoration |
| Costume & Make-Up | Ed Ware | Costume Design |
| Costume & Make-Up | Vera West | Costume Design |
| Directing | Scott R. Beal | First Assistant Director |
| Directing | Herman Schlom | Second Assistant Director |
| Art | Herman Rosse | Set Designer |
| Sound | Jack Bolger | Boom Operator |
| Sound | Jack Foley | Foley Artist |
| Sound | William Hedgcock | Sound Mixer |
| Visual Effects | Frank H. Booth | Effects Supervisor |
| Art | William Davidson | Production Illustrator |
| Visual Effects | John P. Fulton | Matte Painter |
| Camera | Frank H. Booth | Second Assistant Camera |
| Camera | King D. Gray | First Assistant Camera |
| Sound | Heinz Roemheld | Conductor |
| Crew | Carl Laemmle | Presenter |
| Art | Max Cohen | Title Designer |
| Production | Nan Grant | Researcher |
| Directing | Dudley Murphy | Continuity |
| Directing | Aileen Webster | Script Supervisor |
| Art | John Hoffman | Production Design |
| Art | John Hoffman | Set Designer |
| Camera | Roman Freulich | Still Photographer |
