Dracula (1931)
Ende des 19. Jahrhunderts reist der Makler Renfield im Auftrag des englischen Geschäftsmannes Jonathan Harker nach Transsylvanien. Er soll dort mit Graf Dracula ein Immobiliengeschäft abschließen. Der Graf entpuppt sich als Vampir, kerkert Harker ein und reist an seiner Stelle nach London zurück, wo sein Begehr auf Harkers Geliebte Mina fällt. Doch bevor Dracula sie beißen und zu seiner Sklavin machen kann, schreitet der Vampirjäger Van Helsing ein.
Der Regisseur:
Tod Browning
Der Autor:
Garrett Fort
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Bela Lugosi as Count Dracula |
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Helen Chandler as Mina |
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David Manners as John Harker |
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Dwight Frye as Renfield |
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Edward Van Sloan as Van Helsing |
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Herbert Bunston as Doctor Seward |
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Frances Dade as Lucy |
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Joan Standing as Maid |
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Charles K. Gerrard as Martin |
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Anna Bakacs as Innkeeper's Daughter (uncredited) |
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Bunny Beatty as Flower Girl (uncredited) |
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Nicholas Bela as Coach Passenger (uncredited) |
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Daisy Belmore as Coach Passenger (uncredited) |
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William A. Boardway as Concertgoer Outside Theatre (uncredited) |
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Barbara Bozoky as Innkeeper's Wife (uncredited) |
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Tod Browning as Harbormaster (voice) (uncredited) |
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Moon Carroll as Maid (uncredited) |
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Geraldine Dvorak as Dracula's Bride (uncredited) |
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John George as Small Scientist (uncredited) |
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Anita Harder as Bit (uncredited) |
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Carla Laemmle as Coach Passenger (uncredited) |
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Wyndham Standing as Surgeon (uncredited) |
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Cornelia Thaw as Dracula's Bride (uncredited) |
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Dorothy Tree as Dracula's Bride (uncredited) |
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Josephine Velez as Grace, English Nurse (uncredited) |
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Michael Visaroff as Innkeeper (uncredited) |
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Florence Wix as Concertgoer Outside Theater (uncredited) |
| Camera | Karl Freund | Director of Photography |
| Art | Charles D. Hall | Art Direction |
| Production | Carl Laemmle Jr. | Producer |
| Editing | Milton Carruth | Editor |
| Editing | Maurice Pivar | Supervising Film Editor |
| Writing | John L. Balderston | Theatre Play |
| Writing | Hamilton Deane | Theatre Play |
| Production | Tod Browning | Producer |
| Writing | Bram Stoker | Novel |
| Directing | Tod Browning | Director |
| Sound | C. Roy Hunter | Recording Supervision |
| Crew | Charles A. Logue | Scenic Artist |
| Directing | Charles Logue | Script Supervisor |
| Sound | Heinz Roemheld | Music Supervisor |
| Camera | Joseph Brotherton | Second Unit Director of Photography |
| Production | E.M. Asher | Associate Producer |
| Writing | Dudley Murphy | Dialogue |
| Costume & Make-Up | Jack Pierce | Makeup Artist |
| Writing | Frederick Stephani | Writer |
| Directing | Karl Freund | Co-Director |
| Sound | Jack Foley | Foley Artist |
| Costume & Make-Up | Ed Ware | Costume Design |
| Sound | Jack Bolger | Boom Operator |
| Writing | Garrett Fort | Screenplay |
| Sound | William Hedgcock | Sound Mixer |
| Writing | Tod Browning | Writer |
| Writing | Louis Stevens | Writer |
| Art | William Davidson | Production Illustrator |
| Sound | Heinz Roemheld | Conductor |
| Crew | Dudley Murphy | Additional Dialogue |
| Crew | Carl Laemmle | Presenter |
| Production | Phil M. Friedman | Casting |
| Art | Max Cohen | Title Designer |
| Art | Herman Rosse | Set Designer |
| Visual Effects | Frank H. Booth | Effects Supervisor |
| Production | Nan Grant | Researcher |
| Writing | Louis Bromfield | Writer |
| Camera | Frank H. Booth | Second Assistant Camera |
| Directing | Dudley Murphy | Continuity |
| Directing | Aileen Webster | Script Supervisor |
| Costume & Make-Up | Vera West | Costume Design |
| Visual Effects | John P. Fulton | Matte Painter |
| Art | Russell A. Gausman | Set Decoration |
| Art | Herman Rosse | Production Design |
| Directing | Scott R. Beal | First Assistant Director |
| Camera | King D. Gray | First Assistant Camera |
| Writing | Max Cohen | Other |
| Directing | Herman Schlom | Second Assistant Director |
| Art | John Hoffman | Production Design |
| Art | John Hoffman | Set Designer |
| Camera | Roman Freulich | Still Photographer |
