Die Rache der Eierköpfe (1984)
Die besten Freunde Lewis Skolnick und Gilbert Lowell schreiben sie sich am Adams College ein, um Informatik zu studieren. Die beiden Studienanfänger sind Nerds der ersten Stunde, weswegen ihnen die Studentenverbindung der Alpha Betas, die hauptsächlich aus Football-Spielern besteht, das Leben schon bald zur Hölle macht. Nachdem die Alpha Betas bei einer Studentenparty ihr eigenes Verbindungshaus abfackeln, werden ihnen vorübergehend die Behausungen der Erstsemestler angeboten. Diese sollen dafür erstmal auf die Sporthalle ausweichen. Doch so leicht lassen sich Lewis und Gilbert nicht unterkriegen: Zusammen mit den anderen Ausgestoßenen machen sie ein altes, baufälliges Haus in der Umgebung wieder bewohnbar und gründen den Club der Eierköpfe…
Der Regisseur:
Jeff Kanew
Die Autor:
Steve Zacharias, Jeff Buhai.
| Directing | Jeff Kanew | Director |
| Production | Peter Samuelson | Producer |
| Editing | Alan Balsam | Editor |
| Production | Ted Field | Producer |
| Art | Art Lipschultz | Property Master |
| Art | Everett Olson | Construction Coordinator |
| Production | Henry Kline | Production Manager |
| Art | Frank Lombardo | Set Decoration |
| Lighting | George Holmes | Chief Lighting Technician |
| Production | Pinki Ragan | Production Coordinator |
| Sound | Theodore Soderberg | Sound Re-Recording Mixer |
| Costume & Make-Up | Yolanda Toussieng | Hairstylist |
| Production | David Obst | Executive Producer |
| Directing | Terence A. Donnelly | First Assistant Director |
| Art | James L. Schoppe | Production Design |
| Camera | Stephen E. Bridge | Camera Operator |
| Costume & Make-Up | Eddie Marks | Costume Supervisor |
| Directing | James M. Freitag | Second Assistant Director |
| Production | Susan Arnold | Casting |
| Camera | Marlin Hall | Key Grip |
| Crew | Dorain Grusman | Choreographer |
| Crew | Terry James | Stunt Coordinator |
| Production | Peter Bart | Executive Producer |
| Production | Peter Macgregor-Scott | Co-Producer |
| Camera | Roger Gebhard | Assistant Camera |
| Art | Lance Lombardo | Leadman |
| Costume & Make-Up | Frank Griffin | Makeup Artist |
| Sound | Al Overton Jr. | Sound Mixer |
| Directing | Kisuna Jacobsen | Script Supervisor |
| Crew | Joseph A. Unsinn | Special Effects Coordinator |
| Camera | Ronald Batzdorff | Still Photographer |
| Sound | Paul Wells | Sound Re-Recording Mixer |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Editing | Nancy Forner | Assistant Editor |
| Sound | Armin Steiner | Scoring Mixer |
| Camera | Dennis Smith | Camera Operator |
| Camera | King Baggot | Director of Photography |
| Writing | Steve Zacharias | Screenplay |
| Writing | Jeff Buhai | Screenplay |
| Sound | Martin Schwartz | Music Supervisor |
| Writing | Miguel Tejada-Flores | Story |
| Writing | Steve Zacharias | Story |
| Writing | Jeff Buhai | Story |
| Sound | Michael O'Corrigan | Supervising Sound Editor |
| Writing | Tim Metcalfe | Story |
| Sound | John R. Harris | Music Editor |
| Crew | Corey Michael Eubanks | Stunts |
| Crew | Terry James | Stunts |
| Sound | Pieter Hubbard | Sound Editor |
| Directing | Gary Law | Additional Second Assistant Director |
| Sound | Ed Osborne | Sound Editor |
| Crew | Edward Adams | Stunts |
| Crew | John Cade | Stunts |
| Sound | Bob Daniels | ADR Editor |
| Crew | Steve Blalock | Stunts |
| Sound | William Jacobs | Sound Editor |
| Crew | Joe Gilbride | Stunts |
| Costume & Make-Up | Deborah Hopper | Costumer |
| Crew | Bing Blenman | Stunts |
| Costume & Make-Up | Radford Polinsky | Costumer |
| Production | Paula Harold | Local Casting |
| Production | Bob Maharis | Location Manager |
| Crew | Danny Rogers | Stunts |
| Sound | John Paul Jones | Sound Editor |
| Sound | Thomas Newman | Original Music Composer |
