Drei Caballeros (1944)
Donald Duck erhält von seinen Freunden ein Paket aus Südamerika geschickt. Darin findet er Bücher, Filme und Souvenire, die ihn bei näherer Betrachtung auf eine phantastische Reise in alle wichtigen Ländern des Subkontinents entführen. Donald wird Zeuge der Reise eines arktischen Pinguins bis zu den Galapagos-Inseln, lernt einen argentinischen Gaucho und seinen fliegenden Esel kennen und stürzt sich mit einem Papagei ins Nachtleben des brasilianischen Bahia. Die Reise endet schließlich unter folkloristischen Darbietungen im südlichen Nachbarland der USA, wo Donald unter dem Dach des Sombrero endgültig zum "Caballero" mutiert.
Die Regisseur: Norman Ferguson, Jack Kinney, Bill Roberts, Clyde Geronimi, Harold Young.
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Clarence Nash as Donald Duck (voice) |
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Sterling Holloway as Professor Holloway (voice) |
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Joaquin Garay as Panchito (voice) |
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Zé Carioca as José Carioca (voice) |
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Aurora Miranda as Brazilian Girl |
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Carmen Molina as Mexican Girl |
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Dora Luz as Mexican Girl |
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Frank Graham as (voice) |
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Fred Shields as (voice) |
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Nestor Amaral as (voice) |
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Jose de la Cruz Pacheco as (voice) |
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Jose Luis Garcia Rosales as (voice) |
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Luis Miranda Neri as (voice) |
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Emilia del Río as (voice) |
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Sara Ascencio as (voice) |
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Ofelia Ascencio as (voice) |
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Pinto Colvig as Aracuan Bird (voice) (uncredited) |
| Crew | Billy Daniel | Choreographer |
| Production | Walt Disney | Producer |
| Editing | Donald Halliday | Editor |
| Directing | Norman Ferguson | Director |
| Visual Effects | Les Clark | Animation |
| Visual Effects | Eric Larson | Animation |
| Visual Effects | Ward Kimball | Animation |
| Directing | Jack Kinney | Director |
| Directing | Bill Roberts | Director |
| Directing | Clyde Geronimi | Director |
| Directing | Harold Young | Director |
| Visual Effects | Fred Moore | Animation |
| Visual Effects | Harvey Toombs | Animation |
| Directing | Yale Gracey | Layout |
| Writing | Ralph Wright | Story |
| Writing | William Cottrell | Story |
| Visual Effects | John Lounsbery | Animation |
| Visual Effects | Ollie Johnston | Animation |
| Visual Effects | Don Patterson | Animation |
| Directing | Herbert Ryman | Layout |
| Writing | Bill Peet | Story |
| Directing | Hugh Hennesy | Layout |
| Art | Al Dempster | Background Designer |
| Production | Norman Ferguson | Production Supervisor |
| Directing | John Hench | Layout |
| Art | Don Douglass | Background Designer |
| Writing | Del Connell | Story |
| Visual Effects | Milt Neil | Animation |
| Directing | Don DaGradi | Layout |
| Directing | McLaren Stewart | Layout |
| Art | Claude Coats | Background Designer |
| Sound | Edward H. Plumb | Music Director |
| Art | Richard Irvine | Art Direction |
| Visual Effects | Bob Carlson | Animation |
| Writing | Ted Sears | Story |
| Sound | Charles Wolcott | Music Director |
| Sound | Paul J. Smith | Music Director |
| Art | Art Riley | Background Designer |
| Art | Ray Huffine | Background Designer |
| Writing | Ernest Terrazas | Story |
| Writing | Roy Williams | Story |
| Visual Effects | Frank Thomas | Animation |
| Directing | Charles Philippi | Layout |
| Writing | Homer Brightman | Story |
| Visual Effects | Bill Justice | Animation |
| Visual Effects | Marvin Woodward | Animation |
| Visual Effects | John Sibley | Animation |
| Writing | Elmer Plummer | Story |
| Writing | James Bodrero | Story |
| Visual Effects | Hal King | Animation |
| Visual Effects | Milt Kahl | Animation |
| Sound | Agustín Lara | Songs |
| Sound | Charles Wolcott | Songs |
| Sound | Manuel Esperón | Songs |
| Writing | Ray Gilbert | Lyricist |
| Sound | Ary Barroso | Songs |
| Camera | Ray Rennahan | Director of Photography |
| Crew | Gail Papineau | Technical Advisor |
| Crew | Aloysio de Oliveira | Choreographer |
| Sound | C.O. Slyfield | Sound Recordist |
| Production | Daniel Keefe | Production Manager |
| Crew | Carmelita Maracci | Choreographer |
| Art | Mary Blair | Art Direction |
