Ein Mann wie Dynamit (1983)
Ein Polizist jagt einen Sexualmörder, den er nicht überführen kann, obwohl er von seiner Schuld überzeugt ist. Als er aus dem Polizeidienst entlassen wird, weil er Beweismaterial manipuliert hat, nimmt er, zumal auch noch seine Tochter bedroht wird, das Gesetz in die eigene Hand.
Der Regisseur: J. Lee Thompson
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Charles Bronson as Leo Kessler |
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Lisa Eilbacher as Laurie Kessler |
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Andrew Stevens as Paul McAnn |
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Geoffrey Lewis as Dave Dante |
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Gene Davis as Warren Stacy |
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Wilford Brimley as Clem Malone |
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Robert F. Lyons as Nathan Zager |
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Sydna Scott as Marge Johnson |
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Iva Lane as Bunny |
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Ola Ray as Ola |
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Kelly Preston as Doreen |
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Cosie Costa as Dudley |
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Paul McCallum as Lab Technician |
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Jeana Keough as Karen Smalley |
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June Gilbert as Betty Johnson |
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Arthur Hansel as Judge Mellen |
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Sam Chew Jr. as Minister |
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Katrina Parish as Tina |
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Shawn Schepps as Peg |
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Barbara Pilavin as Mrs. Byrd |
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Beau Billingslea as Desk Sergeant |
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Breck Costin as Tim Bailey |
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Carmen Filpi as Hotel Clerk |
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Deran Sarafian as Dale Anders |
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Jeane Manson as Margo |
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Patti Tippo as Party Girl |
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Bert Williams as Mr. Johnson |
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James Keane as Jerry |
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Jerome Thor as Medical Examiner |
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Lynette Harrison as Ticket Girl |
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Neal Fleming as Young Man |
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John Garwood as Millikan |
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Shay Duffin as Nestor |
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Daniel Ades as Ben Linker |
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Cynthia Ream as Hooker |
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Kyle Edward Cranston as Party Intern |
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Beth Reinglass as Office Girl |
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Monica Ekblad as Second Office Girl |
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Anne Lockhart as Murder Victim (uncredited) |
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Ron Preston as Orderly (uncredited) |
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Kyle J. Wood as Med. Student (uncredited) |
| Production | Lance Hool | Producer |
| Editing | Peter Lee-Thompson | Editor |
| Production | Pancho Kohner | Producer |
| Directing | J. Lee Thompson | Director |
| Camera | Adam Greenberg | Director of Photography |
| Writing | J. Lee Thompson | Story |
| Sound | Robert O. Ragland | Original Music Composer |
| Writing | William Roberts | Writer |
| Art | Jim Freiburger | Art Direction |
| Production | Yoram Globus | Executive Producer |
| Production | John Crowther | Casting |
| Production | Menahem Golan | Executive Producer |
| Sound | Jay M. Harding | Sound Re-Recording Mixer |
| Directing | Barbara Michaels | First Assistant Director |
| Sound | Paul Sharpe | Sound Re-Recording Mixer |
| Sound | Mike Le Mare | Sound Effects Editor |
| Costume & Make-Up | Alan Marshall | Makeup Artist |
| Sound | Michael P. Redbourn | ADR Editor |
| Sound | David Campling | Supervising Sound Editor |
| Costume & Make-Up | Laurie Loverde | Hairstylist |
| Sound | Craig Felburg | Production Sound Mixer |
| Directing | Terence D. Buchinsky | Second Assistant Director |
| Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
| Camera | Dylan Shephard | Key Grip |
| Lighting | Avraham Leibman | Gaffer |
| Art | Cecilia Rodarte | Set Decoration |
| Costume & Make-Up | Del Adey-Jones | Costumer |
| Sound | Michael R. Sloan | Foley Editor |
| Costume & Make-Up | Poppy Cannon-Reese | Costume Supervisor |
| Costume & Make-Up | Robert Dale | Costumer |
| Crew | Ernie F. Orsatti | Stunt Coordinator |
| Crew | Karen Hoenig | Post Production Supervisor |
| Production | John Zane | Unit Production Manager |
| Sound | Michael Linn | Music Editor |
| Sound | Alan Oldfield | Music Supervisor |
| Directing | Karin Cooper | Script Supervisor |
