Sarah und das Wildpferd (1997)
Die 14-jährige Sarah zieht aus dem modernen Los Angeles zu ihrem Vater in die tiefste Provinz des schottischen Hochlandes. Nach dem ersten Schock entdeckt Sarah die Liebe zu Pferden. Auf einem ihrer ausgedehnten Ausritte trifft sie auf den seltsamen Einsiedler Fergus, der seine Wälder vor den Eingriffen der Zivilisation schützen möchte. Bei einem ihrer Besuche erfährt sie von seinem Geheimnis, einem weißen Hengst. Sie ist begeistert von diesem anmutigen, faszinierenden Tier. Als jedoch Wilderer versuchen den Hengst einzufangen, bringen sie Sarah und Fergus in eine gefährliche Situation und ein großes Abenteuer beginnt...
Der Regisseur:
Mark Haber
Die Autor:
Tom Gabbay, Mark Grindle.
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Ariana Richards as Sarah Stewart |
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Andrew Keir as Fergus |
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David Robb as Ian Stewart |
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Gary Lewis as Rab |
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Marcia Layton as Mother |
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Sarah Keller as U.S. Ticket Clerk |
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Ann Scott-Jones as Mrs. Brown |
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Liam Dolan as Alistair |
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Gordon McArthur as Geoff |
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Jeffrey Daunton as Doctor |
| Directing | Mark Haber | Director |
| Camera | Jim Peters | Director of Photography |
| Writing | Tom Gabbay | Screenplay |
| Production | Don Reynolds | Producer |
| Art | Rob McCallum | Storyboard Artist |
| Crew | Perry Costello | Armorer |
| Crew | Paul Heasman | Stunt Coordinator |
| Camera | Iain Johnstone | Key Grip |
| Costume & Make-Up | Sara Kramer | Assistant Makeup Artist |
| Art | Niki Longmuir | Art Direction |
| Art | Jim O'Donnell | Standby Painter |
| Sound | Angela Slaven | Assistant Sound Editor |
| Art | Marius Van Der Werff | Production Design |
| Sound | Brian Patterson | ADR & Dubbing |
| Art | Stephen Wong | Art Direction |
| Production | Val Stephens | Production Manager |
| Writing | Mark Grindle | Screenplay |
| Editing | John Gow | Editor |
| Directing | Jonathan Farmer | Third Assistant Director |
| Production | Stephen Burt | Grip Production Assistant |
| Camera | Andrew Ford | Focus Puller |
| Writing | Tom Gabbay | Story |
| Sound | Douglas MacDougall | Sound Editor |
| Lighting | Robert Allan | Gaffer |
| Production | Robert Love | Executive Producer |
| Production | J. Nigel Pickard | Executive Producer |
| Costume & Make-Up | Sarah Fidelo | Makeup Artist |
| Art | Jeffrey Holmes | Property Master |
| Art | George Booth | Props |
| Crew | Bernard Newton | Special Effects |
| Lighting | Paul Bates | Electrician |
| Camera | John Harper | Clapper Loader |
| Lighting | Garry Thomson | Best Boy Electric |
| Crew | Jim Peters | Cinematography |
| Directing | Alison Banks | Second Assistant Director |
| Crew | Andreas Petrides | Stunts |
| Sound | Brian Milliken | Sound Recordist |
| Crew | Derek Langley | Special Effects |
| Crew | Brian McGhee | Generator Operator |
| Sound | Fiona Carlin | Boom Operator |
| Sound | Arthur B. Rubinstein | Original Music Composer |
| Costume & Make-Up | Rhona Russell | Costume Designer |
| Directing | David Brown | First Assistant Director |
| Camera | Grant Cameron | Camera Operator |
| Costume & Make-Up | Maggie Miller | Costume Assistant |
| Production | Lloret Dunn | Location Manager |
| Editing | Laura Wilson | Editor |
| Costume & Make-Up | Angela Robertson | Costume Assistant |
| Costume & Make-Up | Susie Will | Costume Supervisor |
| Production | Fiona Winning | Assistant Location Manager |
| Production | Deborah Keogh | Production Assistant |
| Directing | Mark Grindle | Script Supervisor |
| Crew | Steve Dent | Animal Wrangler |
| Crew | Peter Allport | Driver |
| Production | Neil McMahon | Location Assistant |
| Production | Elisa Goodman | Casting |
| Production | Anne Henderson | Casting |
