Death Race 2050 (2017)
Amerika wird im Jahre 2050 von kapitalistischen Großkonzernen regiert. Um ein mögliches Aufbegehren der Bevölkerung im Keim zu ersticken, werden die Bewohner des Landes mit Virtual-Reality-Unterhaltung gefügig gemacht. Höhepunkt dieser ruhigstellenden Prozedur ist das alljährliche Todesrennen – bei dem es nicht nur auf die Geschwindigkeit ankommt, sondern auch auf die Skrupellosigkeit der Teilnehmer. Es gibt nämlich Bonuspunkte für die Teams, wenn sie unschuldige Passanten überfahren und umbringen. Auch der amtierende und gefeierte Sieger Frankenstein tritt wieder in die Pedale. Dabei ahnt die Mensch-Maschine nicht, dass sein Co-Pilot ein Spion ist. Dieser Widerstandskämpfer will der martialischen Tradition ein Ende setzen.
Der Regisseur: G.J. Echternkamp
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Manu Bennett as Frankenstein |
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Malcolm McDowell as Chairman |
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Marci Miller as Annie Sullivan |
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Burt Grinstead as Jed Perfectus |
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Folake Olowofoyeku as Minerva Jefferson |
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Anessa Ramsey as Tammy |
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Yancy Butler as Alexis Hamilton |
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Charlie Farrell as JB |
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Shanna Olson as Grace Tickle |
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Leslie Shaw as Eve |
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Helen Loris as Dr. Creamer |
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Pierre Paolo Goya Kobashigawa as Chi Wapp |
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Sebastian Llosa as Steve |
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Emilio Montero as Pablo Zapata |
| Sound | Erick Jolley | Sound Designer |
| Production | Jacob Hayman | Casting Assistant |
| Editing | Matthew J. McLaren | Online Editor |
| Sound | Martin Quiñones | ADR Supervisor |
| Directing | Peter Lara Patiño | First Assistant Director |
| Sound | Iris Posada | ADR Supervisor |
| Sound | Ashu Boni | Sound Editor |
| Sound | Gregor Mazurczuk | Sound Recordist |
| Sound | Tim Chilton | Foley Artist |
| Editing | Diego Alex Borghello | Colorist |
| Editing | Eric M. Klein | Digital Intermediate Producer |
| Sound | Martin Quiñones | ADR Recordist |
| Sound | Iris Posada | Foley Supervisor |
| Camera | Juan Durán | Director of Photography |
| Sound | Steve Walter | Foley Artist |
| Sound | Martin Quiñones | Foley Recordist |
| Camera | Ivailo Tzvetkov | First Assistant Camera |
| Directing | Analía Laos | Script Supervisor |
| Sound | Mirella Bellido | Boom Operator |
| Sound | Ashu Boni | Foley Recordist |
| Art | Alex Fichera | Main Title Designer |
| Sound | Toby Craig | ADR Recordist |
| Visual Effects | James Payfer | Rotoscoping Artist |
| Visual Effects | Harry Walton | Rotoscoping Artist |
| Visual Effects | Dominic Bonavitacola | VFX Artist |
| Visual Effects | Logan Sprangers | VFX Artist |
| Production | Roger Corman | Producer |
| Sound | Sean Fernald | Music Supervisor |
| Production | Caitlin McGreal | Casting Associate |
| Directing | G.J. Echternkamp | Director |
| Writing | G.J. Echternkamp | Writer |
| Writing | Matt Yamashita | Writer |
| Production | Julie Corman | Executive Producer |
| Production | Jan Glaser | Casting |
| Production | Lisa Gooding | Production Director |
| Editing | G.J. Echternkamp | Editor |
| Costume & Make-Up | Maria Elizabeth Bravo Cornejo | Hairstylist |
| Sound | Erick Jolley | Sound Re-Recording Mixer |
| Camera | Michael Moriatis | Still Photographer |
| Sound | Romeo Buddy Mayzee | Sound Effects Editor |
| Visual Effects | Anthony J. Rickert-Epstein | Visual Effects Supervisor |
| Visual Effects | Edy Enriquez | Visual Effects Producer |
| Costume & Make-Up | Miguel Yamaha Tucno | Hairstylist |
| Sound | Ryan Villarreal | Sound Effects Editor |
| Art | Dylan Baker | Set Decoration |
| Sound | Gunter Brown | Music |
| Sound | John Alexander Rushie | Music |
| Editing | Steve Ansell | Editor |
| Editing | Dylan Baker | Editor |
| Sound | Cindy Brown | Music |
| Production | Luis Llosa | Associate Producer |
| Art | Fernando Gagliuffe | Art Direction |
