Hounds of Love (2016)
Teenagerin Vicki Maloney ist im suburbanen Perth im Jahr 1987 gerade dabei, sich von ihren Eltern abzunabeln. Zwar meinen es Vater Trevor und Mutter Maggie gut mit ihr, doch zurzeit sind die beiden Parteien einfach inkompatibel. Als Vicki sich eines Nachts davonschleicht, um eine Party zu besuchen, fällt sie jedoch dem Ehepaar White in die Hände. John und Evelyn White haben inzwischen eine perfide Routine entwickelt, wenn es darum geht, Menschen zu entführen, zu foltern und zu töten. Als ihr nächstes Opfer haben sie Vicki auserkoren. Die merkt jedoch bald, dass sie möglicherweise noch eine Chance hat, lebend aus der Situation zu entkommen - denn die Beziehung der Whites steht auf wackligen Beinen und Vicki glaubt zu erkennen, wo sie ansetzen muss, um einen Keil zwischen Emily und John zu treiben...
Der Regisseur: Ben Young
 |
Ashleigh Cummings as Vicki Maloney |
 |
Emma Booth as Evelyn White |
 |
Stephen Curry as John White |
 |
Susie Porter as Maggie Maloney |
 |
Damian de Montemas as Trevor Maloney |
 |
Harrison Gilbertson as Jason Farris |
 |
Fletcher Humphrys as Gary |
 |
Steve Turner as Troy |
 |
Michael Muntz as Sergeant Mathews |
 |
Marko Jovanović as Sergeant Henderson |
 |
Holly Jones as Miss Martin |
|
Eileen Colocott as Elderly Neighbour |
 |
Lisa Bennett as Gabby Donovan |
 |
Kingsley Judd as Shop Attendant |
|
Rachel Cazier as Shop Customer |
|
Bob Charteris as Man with Shopping |
|
St John Cowcher as Bogan in Car |
 |
Alla Hand as Girl in Class |
|
Lou as Lulu (the dog) |
 |
Liam Graham as Pete (uncredited) |
| Sound | Bernard Galbally | Music Supervisor |
| Production | Jane Sullivan | Production Manager |
| Sound | Kate Dean | Music Supervisor |
| Directing | Stuart Morrice | Second Assistant Director |
| Directing | Andrew Power | First Assistant Director |
| Camera | Rusty Geller | Steadicam Operator |
| Editing | Merlin Eden | Editor |
| Camera | Michael McDermot | Director of Photography |
| Directing | Ben Young | Director |
| Art | Clayton Jauncey | Production Design |
| Costume & Make-Up | Terri Lamera | Costume Design |
| Production | Melissa Kelly | Producer |
| Crew | Shakir Pichler | Picture Car Coordinator |
| Camera | Jean-Paul Horre | Still Photographer |
| Costume & Make-Up | Danielle Miller | Costume Coordinator |
| Camera | Melissa Ozich | First Assistant Camera |
| Costume & Make-Up | Hayley Atherton | Makeup Department Head |
| Sound | Claire Healy | Boom Operator |
| Directing | David Ellis | Continuity |
| Art | Louise Brady | Art Direction |
| Lighting | Perry Sandow | Gaffer |
| Sound | Glenn Martin | Sound Editor |
| Sound | Trevor Hope | Sound Recordist |
| Costume & Make-Up | Kate Anderson | Makeup Artist |
| Camera | Gregory Stirling | Key Grip |
| Visual Effects | Tony Bannan | VFX Artist |
| Production | Anousha Zarkesh | Casting |
| Sound | Dan Luscombe | Original Music Composer |
| Sound | Ric Curtin | Dialogue Editor |
| Sound | Ric Curtin | Sound Designer |
| Sound | Ric Curtin | Sound Re-Recording Mixer |
| Sound | Lisa Simpson | Foley Recordist |
| Sound | John Simpson | Foley Artist |
| Writing | Ben Young | Writer |
| Art | Elaine Smith | Art Department Assistant |
