We Have Always Lived in the Castle (2019)
Seit der Rest ihrer Familie durch eine Arsenvergiftung ausgelöscht wurde, leben Constance (Alexandra Daddario) und Merricat Blackwood (Taissa Farmiga) bei ihrem Onkel Julian (Crispin Glover). Merricat ist ein wenig sonderbar und die meiste Zeit damit beschäftigt, das Familiengrundstück durch das Aussprechen von Flüchen zu schützen. Das und andere Eigenheiten sind der Grund, weshalb die Bewohner aus dem nahegelegen Ort die Schwestern hassen, was diese allerdings nicht besonders kümmert. Eines Tages taucht ihr Cousin Charles (Sebastian Stan) auf und bietet an, seinen Verwandten bei der Bewirtschaftung des großen Herrenhauses zu helfen – ist aber auch überdeutlich an der finanziellen Situation der Schwestern interessiert. Während Constance von dem jungen Mann fasziniert ist, traut ihm Merricat nicht über den Weg. Ein Unglück bahnt sich an…
Der Regisseur:
Stacie Passon
Die Autor:
Stacie Passon, Mark Kruger.
 |
Taissa Farmiga as Merricat Blackwood |
 |
Alexandra Daddario as Constance Blackwood |
 |
Crispin Glover as Uncle Julian Blackwood |
 |
Sebastian Stan as Charles Blackwood |
 |
Paula Malcomson as Helen Clarke |
 |
Peter Coonan as Bobby Dunham |
 |
Ian Toner as Jim Donnell |
 |
Joanne Crawford as Stella |
 |
Anna Nugent as Lucille Wright |
 |
Peter O'Meara as Sam Clarke |
|
Luan James Geary as Sean Harris |
 |
Cormac Melia as Tim Harris |
|
Liz O'Sullivan as Mrs. Harris |
 |
Bosco Hogan as Old Ned |
 |
Stephen Hogan as John Blackwood |
 |
Maria Doyle Kennedy as Mrs. Blackwood |
| Directing | Stacie Passon | Director |
| Production | Jared Ian Goldman | Producer |
| Camera | Piers McGrail | Director of Photography |
| Editing | Ryan Denmark | Editor |
| Sound | Andrew Hewitt | Original Music Composer |
| Production | Robert Mitas | Producer |
| Writing | Shirley Jackson | Novel |
| Camera | Trevor Murphy | Second Assistant Camera |
| Visual Effects | Ed Bruce | Visual Effects Supervisor |
| Production | Robert Halmi Jr. | Executive Producer |
| Sound | Hugh Fox | Sound Recordist |
| Art | Louise Mathews | Art Direction |
| Production | Laurence Jackson Hyman | Executive Producer |
| Art | Anna Rackard | Production Design |
| Production | Maureen Hughes | Casting |
| Production | Suzanne McAuley | Line Producer |
| Directing | Jonathan Shaw | First Assistant Director |
| Camera | John Foster | Grip |
| Sound | Jacob Ribicoff | Sound Designer |
| Writing | Stacie Passon | Screenplay |
| Production | Kieran Corrigan | Executive Producer |
| Sound | Maggie Phillips | Music Supervisor |
| Directing | Sophie Higel | Second Assistant Director |
| Camera | Bernard Walsh | Still Photographer |
| Sound | James David Redding III | Sound Re-Recording Mixer |
| Production | Michael Douglas | Executive Producer |
| Lighting | Addo Gallagher | Gaffer |
| Costume & Make-Up | Eileen Buggy | Hair Designer |
| Costume & Make-Up | Sharon Doyle | Makeup Designer |
| Sound | Martin Czembor | Sound Re-Recording Mixer |
| Production | Eimear O'Kane | Unit Production Manager |
| Sound | Michael McMenomy | Sound Designer |
| Art | Chan Kin | Property Master |
| Sound | Leslie Bloome | Foley Artist |
| Production | Jim Reeve | Executive Producer |
| Crew | Alan Walsh | Stunt Coordinator |
| Writing | Mark Kruger | Screenplay |
| Costume & Make-Up | Eimer Ní Mhaoldomhnaigh | Costume Designer |
| Art | Bryan Tormey | Assistant Art Director |
| Sound | Isaac Derfel | Sound Effects Editor |
