We Have Always Lived in the Castle (2019)
Seit der Rest ihrer Familie durch eine Arsenvergiftung ausgelöscht wurde, leben Constance (Alexandra Daddario) und Merricat Blackwood (Taissa Farmiga) bei ihrem Onkel Julian (Crispin Glover). Merricat ist ein wenig sonderbar und die meiste Zeit damit beschäftigt, das Familiengrundstück durch das Aussprechen von Flüchen zu schützen. Das und andere Eigenheiten sind der Grund, weshalb die Bewohner aus dem nahegelegen Ort die Schwestern hassen, was diese allerdings nicht besonders kümmert. Eines Tages taucht ihr Cousin Charles (Sebastian Stan) auf und bietet an, seinen Verwandten bei der Bewirtschaftung des großen Herrenhauses zu helfen – ist aber auch überdeutlich an der finanziellen Situation der Schwestern interessiert. Während Constance von dem jungen Mann fasziniert ist, traut ihm Merricat nicht über den Weg. Ein Unglück bahnt sich an…
Der Regisseur:
Stacie Passon
Die Autor:
Stacie Passon, Mark Kruger.
 |
Taissa Farmiga as Merricat Blackwood |
 |
Alexandra Daddario as Constance Blackwood |
 |
Crispin Glover as Uncle Julian Blackwood |
 |
Sebastian Stan as Charles Blackwood |
 |
Paula Malcomson as Helen Clarke |
 |
Peter Coonan as Bobby Dunham |
 |
Ian Toner as Jim Donnell |
 |
Joanne Crawford as Stella |
 |
Anna Nugent as Lucille Wright |
 |
Peter O'Meara as Sam Clarke |
|
Luan James Geary as Sean Harris |
 |
Cormac Melia as Tim Harris |
|
Liz O'Sullivan as Mrs. Harris |
 |
Bosco Hogan as Old Ned |
 |
Stephen Hogan as John Blackwood |
 |
Maria Doyle Kennedy as Mrs. Blackwood |
| Directing | Stacie Passon | Director |
| Production | Jared Ian Goldman | Producer |
| Editing | Ryan Denmark | Editor |
| Sound | Andrew Hewitt | Original Music Composer |
| Camera | Piers McGrail | Director of Photography |
| Production | Robert Mitas | Producer |
| Writing | Shirley Jackson | Novel |
| Camera | Trevor Murphy | Second Assistant Camera |
| Sound | Leslie Bloome | Foley Artist |
| Writing | Stacie Passon | Screenplay |
| Production | Kieran Corrigan | Executive Producer |
| Sound | Martin Czembor | Sound Re-Recording Mixer |
| Production | Robert Halmi Jr. | Executive Producer |
| Art | Anna Rackard | Production Design |
| Directing | Jonathan Shaw | First Assistant Director |
| Sound | Hugh Fox | Sound Recordist |
| Production | Suzanne McAuley | Line Producer |
| Production | Eimear O'Kane | Unit Production Manager |
| Lighting | Addo Gallagher | Gaffer |
| Sound | Maggie Phillips | Music Supervisor |
| Visual Effects | Ed Bruce | Visual Effects Supervisor |
| Production | Maureen Hughes | Casting |
| Art | Louise Mathews | Art Direction |
| Production | Laurence Jackson Hyman | Executive Producer |
| Costume & Make-Up | Sharon Doyle | Makeup Designer |
| Sound | James David Redding III | Sound Re-Recording Mixer |
| Crew | Alan Walsh | Stunt Coordinator |
| Production | Michael Douglas | Executive Producer |
| Directing | Sophie Higel | Second Assistant Director |
| Costume & Make-Up | Eileen Buggy | Hair Designer |
| Sound | Michael McMenomy | Sound Designer |
| Writing | Mark Kruger | Screenplay |
| Costume & Make-Up | Eimer Ní Mhaoldomhnaigh | Costume Designer |
| Production | Jim Reeve | Executive Producer |
| Camera | John Foster | Grip |
| Camera | Bernard Walsh | Still Photographer |
| Sound | Jacob Ribicoff | Sound Designer |
| Art | Chan Kin | Property Master |
| Art | Bryan Tormey | Assistant Art Director |
| Sound | Isaac Derfel | Sound Effects Editor |
