The Little Hours (2017)
Garfagnana, Italien, 1347. Der gutaussehende Diener Masseto flüchtet vor seinem rachsüchtigen Herrn in ein Nonnenkloster, wo drei junge Nonnen, Schwester Alessandra, Schwester Ginevra und Schwester Fernanda, erfolglos versuchen herauszufinden, was ihr Lebenszweck ist. Ein Rätsel, mit dem jede von ihnen auf unterschiedliche Weise konfrontiert wird.
Der Regisseur:
Jeff Baena
Der Autor:
Jeff Baena
| Visual Effects | Dane Allan Smith | Visual Effects Producer |
| Directing | Jeff Baena | Director |
| Camera | Quyen Tran | Director of Photography |
| Editing | Ryan Brown | Editor |
| Art | Susie Mancini | Production Design |
| Production | Elizabeth Destro | Producer |
| Sound | Zach Cowie | Music Supervisor |
| Sound | Dan Romer | Original Music Composer |
| Production | Aubrey Plaza | Producer |
| Production | Roberto Vasconcellos | Executive Producer |
| Production | Daniel McCarney | Associate Producer |
| Sound | Brandon Walz | Boom Operator |
| Production | Liv Banks | Production Coordinator |
| Sound | Christopher Barnett | Sound Re-Recording Mixer |
| Production | Peter Pietrangeli | Executive Producer |
| Production | Christopher Opalenik | Associate Producer |
| Lighting | Brett Carleton | Gaffer |
| Writing | Giovanni Boccaccio | Novel |
| Crew | Tim Pedegana | Post Production Supervisor |
| Production | Carlos Cuscó | Executive Producer |
| Production | Charles Sauveur Bonan | Executive Producer |
| Directing | Andrea Manners | Script Supervisor |
| Sound | Christopher Barnett | Supervising Sound Editor |
| Crew | Aziz Ansari | Thanks |
| Production | Michael Sherman | Executive Producer |
| Production | Courtney Bright | Casting |
| Art | Andrew Katz | Art Direction |
| Sound | Phillip Bladh | Sound Mixer |
| Production | Daniel McGilvray | Co-Producer |
| Production | Emerson Machtus | Executive Producer |
| Production | Gustavo Ignacio Gómez | Associate Producer |
| Production | Patrick Fabian | Associate Producer |
| Production | William G. Santor | Executive Producer |
| Production | Matthew Perniciaro | Executive Producer |
| Directing | Shahrzad 'Sheri' Davani | First Assistant Director |
| Art | Luciano Mancini | Property Master |
| Visual Effects | Roopesh Gujar | Visual Effects Supervisor |
| Production | Alessandro Bertolucci | Co-Producer |
| Production | Fernando Loureiro | Executive Producer |
| Sound | Andrea Gard | Foley Artist |
| Production | Margot McGowan | Associate Producer |
| Production | Nick Rufca | Production Supervisor |
| Art | Elena Medori | Set Dresser |
| Sound | Kim B. Christensen | Sound Effects Editor |
| Costume & Make-Up | Natalie O'Brien | Costume Designer |
| Production | Shahrzad 'Sheri' Davani | Co-Producer |
| Production | Lauren Russell | Associate Producer |
| Production | Gustavo Adolfo López Gómez | Associate Producer |
| Camera | Max Feldman | Key Grip |
| Costume & Make-Up | Anouck Sullivan | Makeup Department Head |
| Production | Andrew Chang-Sang | Executive Producer |
| Production | Thomas Barton | Associate Producer |
| Production | Michael Ferraro | Associate Producer |
| Production | Nicole Daniels | Casting |
| Writing | Jeff Baena | Screenplay |
| Production | Joshua Bachove | Co-Producer |
| Production | Kim Leadford | Executive Producer |
| Directing | Soren Miltich | Second Assistant Director |
