Humanoid - Der letzte Kampf der Menschheit (2018)
Es ist das Jahr 2307 und der einst so blaue Planet hat sich in eine einzige Eiswüste verwandelt. Von der Menschheit ist nicht mehr viel übrig geblieben, nachdem ein Virus 75% aller Erdenbewohner umgebracht hat. Die wenigen Überlebenden haben sich in den Untergrund zurückgezogen, weil sie den arktischen Temperaturen an der Oberfläche nicht standhalten können. Zu ihrer eigenen Hilfe haben sie daher sogenannte Humanoide entwickelt – künstliche Menschen, die mit den extremen Bedingungen zurechtkommen. Eines Tages bricht jedoch der Humanoide ASH-393 aus einer Basis aus, die inmitten der Todeszone 714 gelegen ist. ASH gilt als die fortschrittlichste Kreation seiner Art und führt nun eine Gruppe Abtrünniger an, die gegen die Menschen aufbegehren wollen. Ein Team aus Elitesoldaten wird daher losgeschickt, um die Bedrohung zu beseitigen...
Der Regisseur: Joey Curtis
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Paul Sidhu as Bishop |
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Branden Coles as ASH-393 |
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Arielle Holmes as Kix |
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Kelcey Watson as El Hatta |
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Anne-Solenne Hatte as Atka |
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Timothy Lee DePriest as Ishmael |
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Stormi Henley as Sara |
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Harwood Gordon as Cage |
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Sirwan Assad as Corporal Wilson |
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Josiah Black as Scientist |
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Quinne Daniels as Ariel |
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Rebekah Del Rio as Pinky |
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Duchess Dukes as Aluxia |
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Fernando Argosino as Subatai |
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Sophie Mazzaro as Humanoid |
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Cecile Namer as Mara |
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Sarah Rhoades as Humanoid |
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Brad Potts as General Trajan |
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Derick Neikirk as ASH-412 |
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John Kyle Sutton as Private Galen |
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Frank Coppola as Bill Carson |
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Rowan Smyth as Spartan Child #1 |
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Michael Wayne Foster as ASH-287 |
| Writing | Joey Curtis | Writer |
| Writing | Paul Sidhu | Story |
| Directing | Joey Curtis | Director |
| Art | Delarey Wagenar | Production Design |
| Camera | Kash Costner | Key Grip |
| Camera | Alessandro Gentile | Camera Operator |
| Camera | Joe Blodgett | Camera Operator |
| Camera | Boa Simon | Camera Operator |
| Camera | Ari Robbins | Steadicam Operator |
| Visual Effects | Stuart Racey | Visual Effects Producer |
| Production | Robert Beaumont | Producer |
| Art | Frank Coppola | Set Decoration |
| Camera | Sam Taybi | Key Grip |
| Camera | Ian Coad | Director of Photography |
| Editing | Brad Comfort | Additional Editing |
| Costume & Make-Up | Suzan Berberian | Costume Design |
| Camera | Matthew A. Nardone | Camera Operator |
| Art | Greg Leone | Art Direction |
| Production | Kathleen Hanley | Casting Associate |
| Art | Joe Oosthuizen | Art Direction |
| Production | Adrienne Stern | Casting |
| Art | Sabine Asanger | Property Master |
| Editing | Ryan Stevens Harris | Editor |
| Sound | Wesley Claggett | ADR Supervisor |
| Visual Effects | Pete Sussi | Visual Effects Supervisor |
| Sound | Lincoln Coppola | Boom Operator |
| Costume & Make-Up | Crystal Star Orozco | Assistant Costume Designer |
| Crew | Lili Eve Kaytmaz | Makeup Effects |
| Sound | Kent Militzer | Sound Designer |
| Costume & Make-Up | Mariea Huynh | Costume Design |
| Camera | Adolfo Kahan | Still Photographer |
| Lighting | Chris Kallemeyn | Gaffer |
| Visual Effects | Frank C. Wells | Visual Effects Supervisor |
| Costume & Make-Up | Jessica J. Eisenman | Makeup Artist |
| Sound | Darin Heinis | Sound Re-Recording Mixer |
| Costume & Make-Up | Crystal Cacao | Makeup Artist |
| Sound | Steve Bucino | Sound Designer |
| Crew | Keaghlan Ashley | Makeup Effects |
| Crew | Kristina Ellery | Makeup Effects |
| Sound | Darin Heinis | Supervising Sound Editor |
| Sound | Joachim Horsley | Original Music Composer |
