The Deep Blue Sea (2011)
Hester Collyer führt als schöne Frau des hohen Richters Sir William Collyer ein privilegiertes Leben im London der 1950er Jahre. Als sie sich zum Entsetzen ihrer Freunde und Verwandten unsterblich in den schneidigen Royal-Air-Force-Piloten Freddie Page verliebt, steht sie vor einer folgenschweren Entscheidung.
Der Regisseur:
Terence Davies
Der Autor:
Terence Davies
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Rachel Weisz as Hester Collyer |
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Tom Hiddleston as Freddie Page |
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Simon Russell Beale as Sir William Collyer |
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Harry Hadden-Paton as Jackie Jackson |
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Jolyon Coy as Philip Welch |
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Karl Johnson as Mr. Miller |
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Ann Mitchell as Mrs. Elton |
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Nicholas Amer as Mr. Elton |
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Sarah Kants as Liz Jackson |
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Oliver Ford Davies as Hester's Father |
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Barbara Jefford as Collyer's Mother |
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Mark Tandy as Edie and Ravenscroft Assistant |
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Stuart McLoughlin as Singing Man in Tube |
| Directing | Terence Davies | Director |
| Sound | Robert Farr | Sound Re-Recording Mixer |
| Sound | Gernot Fuhrmann | Sound Effects Editor |
| Sound | Tim Barker | Sound Designer |
| Production | Peter Hampden | Executive Producer |
| Visual Effects | Emma Braney | VFX Artist |
| Production | Lisa Marie Russo | Executive Producer |
| Production | Katherine Butler | Executive Producer |
| Production | Grace Hartley | Executive Producer |
| Production | Norman Merry | Executive Producer |
| Art | David Hindle | Supervising Art Director |
| Art | Kevin Day | Standby Property Master |
| Costume & Make-Up | Ruth Myers | Costume Design |
| Art | James Merifield | Production Design |
| Editing | David Charap | Editor |
| Art | Sarah Pasquali | Art Direction |
| Writing | Terence Rattigan | Theatre Play |
| Costume & Make-Up | Sophia Knight | Key Makeup Artist |
| Sound | Phillip Barrett | Foley Mixer |
| Production | Sean O'Connor | Producer |
| Production | Kate Ogborn | Producer |
| Production | Fiona Morham | Head of Production |
| Directing | Chris Croucher | Second Assistant Director |
| Visual Effects | James Elster | Digital Compositor |
| Crew | Sam Cox | CG Supervisor |
| Visual Effects | Lucy Tanner | Visual Effects Coordinator |
| Costume & Make-Up | Elizabeth Yianni-Georgiou | Makeup Designer |
| Visual Effects | Sheila Wickens | Digital Compositor |
| Production | Eliza Mellor | Line Producer |
| Art | Peter Hallam | Property Master |
| Crew | Shuna Frood | Post Production Supervisor |
| Sound | Tim Barker | Sound Mixer |
| Crew | Luke Butler | Digital Effects Supervisor |
| Camera | Rupert Hornstein | Focus Puller |
| Production | Jane Arnell | Casting Director |
| Costume & Make-Up | Sophia Knight | Key Hair Stylist |
| Sound | Yanti Windrich | Sound Assistant |
| Production | Monique Mussell | Production Manager |
| Sound | Paul Hanks | Foley Artist |
| Camera | Warwick Drucker | Key Grip |
| Visual Effects | Colin Gorry | Special Effects Supervisor |
| Directing | Chris Foggin | Third Assistant Director |
| Sound | Andrew Stirk | Dialogue Editor |
| Sound | Ian Waggott | Foley Artist |
| Visual Effects | Paul Daiko | Digital Compositor |
| Lighting | Tim Wiley | Rigging Gaffer |
| Costume & Make-Up | Elizabeth Yianni-Georgiou | Hair Designer |
| Production | Tracey Josephs | Head of Production |
| Directing | Anthony Wilcox | First Assistant Director |
| Crew | Sean Farrow | Executive Visual Effects Producer |
| Lighting | Gary Varney | Gaffer |
| Art | Debbie Wilson | Set Decoration |
| Sound | Simon Trundle | Foley Mixer |
| Camera | Florian Hoffmeister | Director of Photography |
| Sound | Samuel Barber | Original Music Composer |
| Art | Rebecca White | Art Department Assistant |
| Writing | Terence Davies | Screenplay |
