Der echte Pate (2019)
Im Jahr 1986 wurde Tommaso Buscetta zum ersten hochrangigen Mafiaboss, der gegen seinesgleichen aussagte. Doch es kostete ihn und seine Familie alles, was ihnen lieb war.
Die Regisseur: Andrew Meier, Mark Franchetti.
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Nino D'Agata as Tommaso Buscetta (voice) |
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Brandon Veliz as Young Stefano Buscetta |
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Filip Kiritsis as Young Roberto Buscetta |
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Cristina Buscetta as Self - Buscetta's 3rd Wife |
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Roberto Buscetta as Self - Buscetta's Son |
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Roberto Precioso as Self - PF Officer |
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Lisa Buscetta as Self - Buscetta's Daughter |
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John Huber as Self - DEA Special Agent |
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Giuseppe Ayala as Self - Anti-Mafia Prosecutor |
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Alfredo Principe as Self - FBI Interpreter |
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Giovanni Buscetta as Self - Buscetta's Nephew |
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Anthony Petrucci as Self - DEA Special Agent |
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Tommaso Buscetta as Self - Mafioso Pentito (archive footage) |
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Rudolph Giuliani as Self - Prosecutor (archive footage) |
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Giovanni Falcone as Self - Anti-Mafia Prosecutor (archive footage) |
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Pippo Calò as Self - Mafioso (archive footage) |
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Totò Riina as Self - Mafioso (archive footage) |
| Sound | Colin Smith | Original Music Composer |
| Production | Mark Franchetti | Producer |
| Production | Andrew Meier | Producer |
| Crew | Сергей Адоньев | Thanks |
| Sound | Joel C. Hernandez | Sound Recordist |
| Sound | Vasily Amochkin | Sound Recordist |
| Sound | Vasily Amochkin | Sound Designer |
| Sound | Vasily Amochkin | Sound Editor |
| Camera | Richard Patterson | Additional Photography |
| Camera | Edison De Silva | Additional Photography |
| Camera | Corey Morrison | Additional Photography |
| Camera | David Charap | Additional Photography |
| Lighting | Nicola Guarneri | Gaffer |
| Lighting | Jeffrey Togno | Gaffer |
| Lighting | Salim Octavia Sangary III | Gaffer |
| Lighting | Juan Vietto | Gaffer |
| Lighting | Adao De Oliveira Aguiar | Gaffer |
| Camera | Derek Stalley | Grip |
| Production | Mark Franchetti | Production Manager |
| Production | Andrew Meier | Production Manager |
| Production | Jacqueline Mia Foster | Production Assistant |
| Production | Jacqueline Mia Foster | Location Manager |
| Production | Carolina Barros | Production Assistant |
| Production | Carolina Barros | Location Manager |
| Production | Paula Moura | Researcher |
| Production | Paula Moura | Production Assistant |
| Crew | Paula Moura | Translator |
| Art | Jacqueline Mia Foster | Props |
| Editing | Mark Franchetti | Archival Footage Research |
| Editing | Guglielmo Parisani | Archival Footage Research |
| Editing | Steve Bergson | Archival Footage Research |
| Editing | Eloá Chouzal | Archival Footage Research |
| Editing | Danielle Bambace | Archival Footage Research |
| Editing | Gillian Hazel | Archival Footage Research |
| Editing | Graeme Holmes | Assistant Editor |
| Art | Allison Brownmoore | Graphic Designer |
| Crew | Ben Coulson | Post Production Supervisor |
| Crew | Elena Amochkina | Transcriptions |
| Crew | Jacqueline Mia Foster | Thanks |
| Directing | Andrew Meier | Director |
| Writing | Mark Franchetti | Writer |
| Writing | Andrew Meier | Writer |
| Directing | Mark Franchetti | Director |
| Editing | David Charap | Editor |
| Writing | David Charap | Co-Writer |
| Sound | Simon Elms | Original Music Composer |
| Camera | Lars Skree | Director of Photography |
