The Power of the Dog (2021)
1925. Zwei Brüder, die gemeinsam eine große Ranch in Montana besitzen, versuchen auf ihre Weise das gemeinsame Land zu führen. Allerdings könnten Phil und George unterschiedlicher nicht sein: Während Phil mit Strenge und Härte auf der Farm anpackt, will sich George der Kontrolle seines Bruders entziehen. Er legt mehr Wert auf teure Autos, gute Kleidung und ein Leben fernab von Rindern und Feldarbeit. Die Heirat mit der Witwe Rose könnte sein Ausweg aus seinem bisherigen Leben sein. Zusammen mit ihr und ihrem Sohn Peter will er auf der Ranch einen neuen Lebensabschnitt markieren. Die Fronten zu seinem Bruder Phil scheinen sich durch die Anwesenheit von Rose jedoch nur zu verstärken. Von familiärer Liebe und Gastfreundlichkeit ist nichts zu spüren. Allerdings beginnen sich die Machtverhältnisse nach und nach zu verschieben.
Der Regisseur: Jane Campion
| Sound | Jonny Greenwood | Original Music Composer |
| Directing | Matt Johnston | Second Second Assistant Director |
| Camera | Kirsty Griffin | Still Photographer |
| Camera | Daniel Foeldes | First Assistant "A" Camera |
| Art | Peter Long | Title Designer |
| Directing | Phil Jones | First Assistant Director |
| Directing | Renata Blaich | Second Assistant Director |
| Crew | Ben Ruffell | Drone Operator |
| Crew | Bryan Haas | Thanks |
| Production | Moira Grant | Unit Production Manager |
| Camera | Grant Adams | Camera Operator |
| Camera | Nick Willoughby | Second Assistant "A" Camera |
| Costume & Make-Up | Noriko Watanabe | Makeup Designer |
| Lighting | Thad Lawrence | Gaffer |
| Camera | Henry West | First Assistant "B" Camera |
| Writing | Tanya Seghatchian | Script Consultant |
| Production | Phil Jones | Associate Producer |
| Production | Chloe Smith | Line Producer |
| Production | Carmen Cuba | Casting Consultant |
| Lighting | Nicholas Riini | Best Boy Electric |
| Production | Chloe Smith | Co-Producer |
| Camera | Grant Adams | Second Unit Director of Photography |
| Production | Libby Sharpe | Co-Producer |
| Directing | Kathleen Thomas | Script Supervisor |
| Costume & Make-Up | Noriko Watanabe | Hair Designer |
| Camera | Grant Adams | Steadicam Operator |
| Sound | Sandy Wakefield | Boom Operator |
| Camera | Ben Rowsell | First Assistant "A" Camera |
| Lighting | Merlin Wilford | Best Boy Electric |
| Lighting | Cilly Lawrence | Rigging Gaffer |
| Crew | Colleen Clarke | Post Production Supervisor |
| Camera | Jimmy Bollinger | Second Assistant "B" Camera |
| Production | Steven McKinnon | Finance |
| Production | Linda Fenwick | Production Coordinator |
| Art | Nick Connor | Art Direction |
| Camera | Ari Wegner | Director of Photography |
| Art | George Hamilton | Art Direction |
| Production | Nina Gold | Casting |
| Art | Mark Robins | Supervising Art Director |
| Sound | Mario Vaccaro | Foley Artist |
| Production | Roger Frappier | Producer |
| Production | Jane Campion | Producer |
| Editing | Peter Sciberras | Editor |
| Costume & Make-Up | Kirsty Cameron | Costume Design |
| Sound | Dave Whitehead | Sound Designer |
| Art | Amber Richards | Set Decoration |
| Sound | Owen Grieve | ADR Recordist |
| Visual Effects | Rui Li | Visual Effects |
| Sound | Robert Mackenzie | Supervising Sound Editor |
| Production | Nikki Barrett | Casting |
| Production | Tina Cleary | Casting |
| Art | Grant Major | Production Design |
| Art | Matt Austin | Art Direction |
| Visual Effects | Jason Hawkins | Visual Effects Supervisor |
| Visual Effects | Alison Ingram | Visual Effects Producer |
| Sound | Tara Webb | Sound Effects Editor |
| Sound | Mick Boraso | Sound Editor |
| Art | Ben Whale | Set Dresser |
| Visual Effects | Flavia Dias Riley | Visual Effects Producer |
| Costume & Make-Up | Alice Baker | Costume Supervisor |
| Writing | Jane Campion | Writer |
| Art | Sarah Cathie | Set Designer |
| Art | Daniel Koene | Set Designer |
| Production | Tanya Seghatchian | Producer |
| Production | Rose Garnett | Executive Producer |
| Production | Emile Sherman | Producer |
| Production | Simon Gillis | Executive Producer |
| Production | Iain Canning | Producer |
| Directing | Jane Campion | Director |
| Production | John Woodward | Executive Producer |
| Sound | Graeme Stewart | Music Editor |
| Lighting | Warwick Millar | Lighting Technician |
| Crew | Mark Harris | Stunt Coordinator |
| Crew | Ross McCormack | Choreographer |
| Art | Eliza Meldrum | Set Decoration Buyer |
| Art | Deirdre McKessar | Set Decoration Buyer |
| Art | Gemma Richardson | Set Dresser |
| Costume & Make-Up | Deirdre Cowley | Makeup Department Head |
| Costume & Make-Up | Sarah Bernard | Key Hair Stylist |
| Costume & Make-Up | Sarah Bernard | Key Makeup Artist |
| Costume & Make-Up | Kelly Mitchell | Key Hair Stylist |
| Costume & Make-Up | Kelly Mitchell | Key Makeup Artist |
| Costume & Make-Up | Daniel Sewpersad | Makeup & Hair |
| Costume & Make-Up | Claire Rutledge | Makeup & Hair |
| Costume & Make-Up | Heather Newcombe | Makeup & Hair |
| Costume & Make-Up | Niki Adlington | Makeup & Hair |
| Sound | Steve Burgess | Foley Editor |
| Sound | Steve Burgess | Foley Mixer |
| Sound | Alex Francis | Foley Recordist |
| Production | Sylvie Lacoste | Associate Producer |
| Sound | Richard Flynn | Production Sound Mixer |
| Writing | Thomas Savage | Book |
| Art | Gareth Edwards | Assistant Set Decoration |
