The Power of the Dog (2021)
1925. Zwei Brüder, die gemeinsam eine große Ranch in Montana besitzen, versuchen auf ihre Weise das gemeinsame Land zu führen. Allerdings könnten Phil und George unterschiedlicher nicht sein: Während Phil mit Strenge und Härte auf der Farm anpackt, will sich George der Kontrolle seines Bruders entziehen. Er legt mehr Wert auf teure Autos, gute Kleidung und ein Leben fernab von Rindern und Feldarbeit. Die Heirat mit der Witwe Rose könnte sein Ausweg aus seinem bisherigen Leben sein. Zusammen mit ihr und ihrem Sohn Peter will er auf der Ranch einen neuen Lebensabschnitt markieren. Die Fronten zu seinem Bruder Phil scheinen sich durch die Anwesenheit von Rose jedoch nur zu verstärken. Von familiärer Liebe und Gastfreundlichkeit ist nichts zu spüren. Allerdings beginnen sich die Machtverhältnisse nach und nach zu verschieben.
Der Regisseur: Jane Campion
| Sound | Jonny Greenwood | Original Music Composer |
| Art | Peter Long | Title Designer |
| Directing | Phil Jones | First Assistant Director |
| Directing | Renata Blaich | Second Assistant Director |
| Directing | Matt Johnston | Second Second Assistant Director |
| Crew | Ben Ruffell | Drone Operator |
| Camera | Kirsty Griffin | Still Photographer |
| Camera | Daniel Foeldes | First Assistant "A" Camera |
| Crew | Bryan Haas | Thanks |
| Production | Libby Sharpe | Co-Producer |
| Production | Chloe Smith | Co-Producer |
| Production | Phil Jones | Associate Producer |
| Costume & Make-Up | Noriko Watanabe | Makeup Designer |
| Costume & Make-Up | Noriko Watanabe | Hair Designer |
| Production | Chloe Smith | Line Producer |
| Production | Moira Grant | Unit Production Manager |
| Directing | Kathleen Thomas | Script Supervisor |
| Production | Steven McKinnon | Finance |
| Crew | Colleen Clarke | Post Production Supervisor |
| Camera | Grant Adams | Steadicam Operator |
| Camera | Grant Adams | Camera Operator |
| Camera | Grant Adams | Second Unit Director of Photography |
| Camera | Ben Rowsell | First Assistant "A" Camera |
| Camera | Henry West | First Assistant "B" Camera |
| Camera | Nick Willoughby | Second Assistant "A" Camera |
| Camera | Jimmy Bollinger | Second Assistant "B" Camera |
| Sound | Sandy Wakefield | Boom Operator |
| Lighting | Thad Lawrence | Gaffer |
| Lighting | Nicholas Riini | Best Boy Electric |
| Lighting | Merlin Wilford | Best Boy Electric |
| Lighting | Cilly Lawrence | Rigging Gaffer |
| Writing | Tanya Seghatchian | Script Consultant |
| Production | Carmen Cuba | Casting Consultant |
| Production | Linda Fenwick | Production Coordinator |
| Production | Roger Frappier | Producer |
| Production | Jane Campion | Producer |
| Camera | Ari Wegner | Director of Photography |
| Editing | Peter Sciberras | Editor |
| Production | Nikki Barrett | Casting |
| Production | Tina Cleary | Casting |
| Production | Nina Gold | Casting |
| Art | Grant Major | Production Design |
| Art | Matt Austin | Art Direction |
| Art | Nick Connor | Art Direction |
| Art | George Hamilton | Art Direction |
| Art | Mark Robins | Supervising Art Director |
| Art | Amber Richards | Set Decoration |
| Costume & Make-Up | Kirsty Cameron | Costume Design |
| Sound | Dave Whitehead | Sound Designer |
| Sound | Mario Vaccaro | Foley Artist |
| Sound | Robert Mackenzie | Supervising Sound Editor |
| Sound | Owen Grieve | ADR Recordist |
| Visual Effects | Rui Li | Visual Effects |
| Visual Effects | Jason Hawkins | Visual Effects Supervisor |
| Sound | Tara Webb | Sound Effects Editor |
| Visual Effects | Alison Ingram | Visual Effects Producer |
| Art | Ben Whale | Set Dresser |
| Sound | Mick Boraso | Sound Editor |
| Visual Effects | Flavia Dias Riley | Visual Effects Producer |
| Costume & Make-Up | Alice Baker | Costume Supervisor |
| Writing | Jane Campion | Writer |
| Art | Sarah Cathie | Set Designer |
| Art | Daniel Koene | Set Designer |
| Directing | Jane Campion | Director |
| Production | Tanya Seghatchian | Producer |
| Production | Emile Sherman | Producer |
| Production | Iain Canning | Producer |
| Production | Rose Garnett | Executive Producer |
| Production | Simon Gillis | Executive Producer |
| Production | John Woodward | Executive Producer |
| Sound | Graeme Stewart | Music Editor |
| Lighting | Warwick Millar | Lighting Technician |
| Crew | Mark Harris | Stunt Coordinator |
| Crew | Ross McCormack | Choreographer |
| Art | Eliza Meldrum | Set Decoration Buyer |
| Art | Deirdre McKessar | Set Decoration Buyer |
| Art | Gemma Richardson | Set Dresser |
| Costume & Make-Up | Deirdre Cowley | Makeup Department Head |
| Costume & Make-Up | Sarah Bernard | Key Hair Stylist |
| Costume & Make-Up | Sarah Bernard | Key Makeup Artist |
| Costume & Make-Up | Kelly Mitchell | Key Hair Stylist |
| Costume & Make-Up | Kelly Mitchell | Key Makeup Artist |
| Costume & Make-Up | Daniel Sewpersad | Makeup & Hair |
| Costume & Make-Up | Claire Rutledge | Makeup & Hair |
| Costume & Make-Up | Heather Newcombe | Makeup & Hair |
| Costume & Make-Up | Niki Adlington | Makeup & Hair |
| Sound | Steve Burgess | Foley Editor |
| Sound | Steve Burgess | Foley Mixer |
| Sound | Alex Francis | Foley Recordist |
| Production | Sylvie Lacoste | Associate Producer |
| Sound | Richard Flynn | Production Sound Mixer |
| Writing | Thomas Savage | Book |
