Die Bären sind nicht mehr zu bremsen (1978)
Das Baseball-Team der "Bären" hat einen großen Durchbruch errungen. Sie sollen gegen die führende japanische Mannschaft spielen - und zwar in deren Heimat. Um das Geld für die Reise zu beschaffen, benötigen die Spieler einen Sponsor. Doch es erweist sich als nicht gerade einfach, an die notwendige Finanzspritze zu gelangen.
Der Regisseur: John Berry
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Tony Curtis as Marvin Lazar |
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Jackie Earle Haley as Kelly Leak |
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Tomisaburō Wakayama as Coach Shimizu |
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Kanji Inoki as Self |
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Hatsune Ishihara as Arika |
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George Wyner as The Network Director |
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Lonny Chapman as Louis the Gambler |
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Matthew Anton as E.R.W. Tillyard III |
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Erin Blunt as Ahmad Rahim |
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George Gonzales as Miguel Agilar |
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Brett Marx as Jimmy Feldman |
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David Pollock as Rudy Stein |
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David Stambaugh as Toby Whitewood |
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Jeffrey Louis Starr as Mike Engleberg |
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Scoody Thornton as Mustapha Rahim |
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Abraham Unger as Abe Bernstein |
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Dick Button as Self |
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Regis Philbin as Harry Hahn |
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萩本欽一 as Game Show Host |
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Hugh Gillin as Pennywall |
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Robert Sorrells as Locke |
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Sonny Barnes as Mean Bones Beaudine |
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Michael Yama as Usher |
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James Staley as Network Man #4 |
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Dick McGarvin as Network Man #3 |
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Tak Kubota as Referee |
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Jerry Ziesmer as Eddie of Network |
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Gene LeBell as Mean Bones' Manager |
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天津敏 as Arika's Father |
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Dean A. Okinaka as Manager |
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Victor Toyota as Interpreter |
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Yangi Kitadani as Fight Announcer |
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Marjorie Jackson as Waitress |
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Jerry Maren as Page Boy |
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Tim P. Sullivan as Network Man #2 |
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Bob Kino as Moderator |
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Dennis Freeman as Network Man #5 |
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Kyôko Fuji as Madam |
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Ginger Martin as Director's Aide |
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Daniel Sasaki as Band Leader |
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Don Watters as Network Man #1 |
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George Sasaki as Demonstration Spectator (uncredited) |
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Sho Kosugi as Kata Demonstrator (uncredited) |
| Writing | Bill Lancaster | Writer |
| Directing | John Berry | Director |
| Production | Michael Ritchie | Producer |
| Camera | Gene Polito | Director of Photography |
| Camera | 岡崎宏三 | Director of Photography |
| Sound | Paul Chihara | Original Music Composer |
| Art | Cheryal Kearney | Set Decoration |
| Sound | John Wilkinson | Sound Re-Recording Mixer |
| Sound | William M. Andrews | Sound Effects Editor |
| Production | Hisashi Yabe | Associate Producer |
| Production | Terry Carr | Unit Production Manager |
| Sound | Gene S. Cantamessa | Sound Mixer |
| Sound | Robert Krueger | Music Editor |
| Crew | 澤井信一郎 | Dialogue Coach |
| Crew | Hector Guerrero | Stunt Double |
| Production | Asatomo Kyokawa | Unit Manager |
| Production | William Ross | Unit Manager |
| Costume & Make-Up | Hisako Hanazawa | Hairstylist |
| Camera | Marlin Hall | Key Grip |
| Art | 北川弘 | Art Direction |
| Editing | Dennis Virkler | Editor |
| Editing | Carolyn H. Abe | Assistant Editor |
| Directing | Mike Abe | Assistant Director |
| Costume & Make-Up | Bob Mills | Makeup Artist |
| Directing | Jerry Ziesmer | Assistant Director |
| Production | Terry Carr | Associate Producer |
| Directing | Alan Brimfeld | Second Assistant Director |
| Sound | Bub Asman | Sound Effects Editor |
| Production | Bill Lancaster | Co-Producer |
| Editing | Richard A. Harris | Editor |
| Art | Walter Scott Herndon | Production Design |
