Rom, Station Termini (1953)
Psychologisches Kammerspiel vor dem Hintergrund des römischen Hauptbahnhofes: Eine verheiratete Amerikanerin entscheidet sich gegen den Geliebten für Mann und Kind. In Einzelheiten hervorragend, erreicht de Sicas Film insgesamt nicht die überzeugende Verbindung von menschlichen Schicksalen und dokumentarisch eingefangener Alltagsrealität, die seine vorhergehenden "neorealistischen" Werke auszeichnet.
Der Regisseur:
Vittorio De Sica
Die Autor:
Cesare Zavattini, Giorgio Prosperi, Luigi Chiarini.
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Jennifer Jones as Mary Forbes |
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Montgomery Clift as Giovanni Doria |
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Gino Cervi as Police Commissioner |
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Richard Beymer as Paul |
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Paolo Stoppa as Traveling Salesman |
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Nando Bruno as Railway Worker |
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Enrico Glori as Police Brigadier |
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Liliana Gerace as Pregnant Sicilian Woman |
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Giuseppe Porelli as Gallant Traveler |
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Roberto Rai as Brakeman |
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Maria Pia Casilio as Young Bride from Abruzzo (uncredited) |
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Clelia Matania as Mother of Annoying Children on the Train (uncredited) |
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Enrico Viarisio as Cheerful Telegram Man (uncredited) |
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Memmo Carotenuto as Venturini, Thief at the Police Station (uncredited) |
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Charles Fawcett as Sad Man at the Post Office (uncredited) |
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Mariolina Bovo as Blonde Girl on the Train (uncredited) |
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Attilio Torelli as Robbed Man at the Police Station (uncredited) |
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Gigi Reder as Bridegroom from Abruzzo (uncredited) |
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Ciro Di Castro as Information Desk Attendant (uncredited) |
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Pasquale De Filippo as Post Office Clerk (uncredited) |
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Oscar Blando as Railway Worker (uncredited) |
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Aristide Catoni as Priest (uncredited) |
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Ugo Mari as Priest (uncredited) |
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Leslie Daniels as Information Booth Agent (Uncredited) |
| Directing | Vittorio De Sica | Director |
| Writing | Truman Capote | Dialogue |
| Directing | Mario Russo | Script Supervisor |
| Production | David O. Selznick | Executive Producer |
| Camera | Oswald Morris | Director of Photography |
| Camera | James Wong Howe | Additional Director of Photography |
| Costume & Make-Up | Romolo De Martino | Makeup Artist |
| Costume & Make-Up | Carlo Sindici | Hairstylist |
| Costume & Make-Up | Alessandro Antonelli | Wardrobe Supervisor |
| Camera | Angelo Pennoni | Still Photographer |
| Camera | Nino Cristiani | Assistant Camera |
| Camera | Augusto Tinelli | Assistant Camera |
| Editing | Marcella Benvenuti | Assistant Editor |
| Production | Pasquale Misiano | Production Secretary |
| Crew | Richard Van Hessen | Technical Advisor |
| Camera | Sergio Bergamini | Camera Operator |
| Directing | Luisa Alessandri | Assistant Director |
| Production | Roberto Moretti | Unit Manager |
| Sound | Bruno Brunacci | Sound Engineer |
| Sound | Alberto Bartolomei | Sound Engineer |
| Sound | Franco Ferrara | Conductor |
| Sound | James G. Stewart | Sound Re-Recording Mixer |
| Editing | Jean Barker | Editor |
| Sound | Audrey Granville | Music Editor |
| Writing | Ben Hecht | Writer |
| Sound | Alessandro Cicognini | Original Music Composer |
| Production | Vittorio De Sica | Producer |
| Production | Marcello Girosi | Associate Producer |
| Production | Wolfgang Reinhardt | Associate Producer |
| Camera | G.R. Aldo | Director of Photography |
| Editing | Eraldo Da Roma | Editor |
| Art | Virgilio Marchi | Art Direction |
| Costume & Make-Up | Christian Dior | Costume Design |
| Production | Nino Misiano | Production Manager |
| Writing | Cesare Zavattini | Story |
| Writing | Cesare Zavattini | Screenplay |
| Writing | Giorgio Prosperi | Screenplay |
| Writing | Luigi Chiarini | Screenplay |
