Wir könnten genauso gut tot sein (2022)
Ein Hund verschwindet. Iris schließt sich im Bad ein und ihre Mutter Anna – die Sicherheitsbeauftragte der Hochhausgemeinschaft – stellt sich einem absurden Wettkampf gegen die Angst, die sich unter den Bewohnern ausbreitet wie ein Virus.
Der Regisseur: Natalia Sinelnikova
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Ioana Iacob as Anna |
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Pola Geiger as Iris |
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Knut Berger as Herr Drescher |
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Susanne Wuest as Frau Drescher |
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Jörg Schüttauf as Gerti Posner |
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Şiir Eloğlu as Ursel |
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Moritz Jahn as Wolfram |
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Mina Sagdiç as Zeynep |
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Jasmin Kraze as Serpil |
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Felix Jordan as Niklas Drescher |
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Fritzi Uhrig as Anne-Marie Drescher |
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Cristin König as Frau Richards |
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Jörg Pose as Herr Richards |
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Alexandra Sinelnikova as Frau Stamm |
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Rita Feldmeier as Vertreterin Wiebke |
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Lara Sophie Milagro as Vertreterin Nicole |
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Alexander Wertmann as Protokollant |
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Lilly Menke as Golfspielerin |
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Naffie Janha as Sängerin |
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Elina Schkolnik as Sängerin |
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Ludwig Brix as |
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Cito Andresen as |
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Christoph Jöde as |
| Directing | Natalia Sinelnikova | Director |
| Camera | Jan Mayntz | Director of Photography |
| Production | Karl Schirnhofer | Casting Director |
| Editing | Evelyn Rack | Editor |
| Writing | Natalia Sinelnikova | Writer |
| Sound | Ovidiu Zimcea | ADR Recordist |
| Writing | Viktor Gallandi | Writer |
| Art | Elisabeth Kozerski | Production Design |
| Costume & Make-Up | Marylin Rammert | Costume Design |
| Costume & Make-Up | Franziska Mayntz | Makeup & Hair |
| Production | Julia Wagner | Producer |
| Production | Ioana Iacob | Associate Producer |
| Production | Magdalena Wolff | Co-Producer |
| Sound | Michael Kondaurow | Original Music Composer |
| Sound | Maxi Menot | Original Music Composer |
| Sound | Michael Kondaurow | Sound Designer |
| Sound | Billie Mind | Music Supervisor |
| Editing | Billie Mind | Co-Editor |
