Mandrill (2009)
Seit er als Kind zusehen musste, wie ein finsterer Gangster seine Eltern ermordete, ist Mandrill besessen vom Wunsch nach persönlicher Rache. Dem würde seine heutige Profession entgegen kommen, denn Mandrill verdient sein Geld als Auftragskiller für die Unterwelt. Für seinen neusten, bislang gefährlichsten und hoffentlich letzten Auftrag soll er den Gangsterboss "Zyklop" erledigen. Wie sich heraus stellt, heißt der so, weil er ein Auge verlor, als er die Eltern von Mandrill killte. Leider hat der Zyklop auch eine schöne Tochter, und in die verliebt sich Mandrill.
Der Regisseur:
Ernesto Díaz Espinoza
Der Autor:
Ernesto Díaz Espinoza
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Marko Zaror as Antonio Espinoza 'Mandrill' |
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Celine Reymond as Dominik Del Solar |
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Alejandro Castillo as Tío Chone |
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Luis Alarcón as Don Mario |
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Augusto Schuster as Teen Mandrill |
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Francisco Jovanni Guerrero as Mandrill (Baby) |
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Juan Pablo Aliaga as El Cíclope |
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Miguel Ángel de Luca as Felipe Wasca |
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María José Prieto as Juliana |
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Otilio Castro as Waldo |
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Catalina Olcay as Lucía |
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John Francis Meany as Colotho |
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Constanza B. Majluf as Mandrill's Mother |
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Francisco Chavez as René |
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Alessandra Guerzoni as The Bar 'Godess' |
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Francisco Castro as 'Three Brothers' |
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Andrés Cid as Bosao / Jacuzzi Guard 1 |
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Rocco as Bellboy |
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Alfredo Tello as 'Multy-Man' ('John Colt' segment) / Casino Hallway Guard 3 / Casino Stairways Guard 15 |
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Carolina Hurtado as Agent 96 ('John Colt' segment) |
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Nicolás Ibieta as 'Handyman' ('John Colt' segment) |
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Constanza Alemparte as Saborosa ('John Colt' segment) |
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Maria Paz Sepulveda as Niurka Sandoval ('John Colt' segment) |
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Mauricio Pesutic as 'El Cíclope' (voice) |
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Ernesto Díaz Espinoza as John Colt (voice) |
| Sound | Marcos De Aguirre | Sound Post Production Coordinator |
| Directing | Ernesto Díaz Espinoza | Director |
| Editing | Ernesto Díaz Espinoza | Editor |
| Production | Marko Zaror | Producer |
| Costume & Make-Up | Carolina Norero | Costume Design |
| Costume & Make-Up | Lorena Molina | Makeup Artist |
| Camera | Nicolás Ibieta | Camera Operator |
| Production | Jorge Soto | Production Manager |
| Production | Derek Rundell | Producer |
| Writing | Ernesto Díaz Espinoza | Screenplay |
| Art | Marisol Torres | Art Designer |
| Sound | Soledad Vargas | Foley |
| Camera | Diego Casanova | Assistant Camera |
| Sound | Rocco | Music Arranger |
| Directing | Haroldo Muñoz | Continuity |
| Crew | Marko Zaror | Choreographer |
| Visual Effects | Ismael Cabrera | Color Designer |
| Sound | Mauricio Molina | Sound Mixer |
| Sound | Daniel Heusser | Foley |
| Directing | Rosario Onetto | First Assistant Director |
| Sound | Karen Cruces | ADR Recordist |
| Crew | Alfredo Tello | Stunts |
| Sound | Nadine Voullième | ADR Editor |
| Sound | Diego Fernández | Sound |
| Crew | Andrés Cid | Stunts |
| Camera | Claudia Serrano | Second Assistant Camera |
| Art | Jose Luis Muñoz | Set Decoration |
| Sound | Mauricio Castañeda | Foley |
| Sound | Rocco | Original Music Composer |
| Camera | Cristián Gonzalez Santibañez | First Assistant Camera |
| Art | José Berrios | Props |
| Camera | Nicolás Ibieta | Director of Photography |
| Sound | Mario Faucher | Dolby Consultant |
| Art | Mauricio Céspedes | Art Direction |
| Directing | Constanza B. Majluf | Second Assistant Director |
| Sound | Nadine Voullième | Dialogue Editor |
| Sound | Christian Cosgrove | Sound Effects Designer |
