Mandrill (2009)
Seit er als Kind zusehen musste, wie ein finsterer Gangster seine Eltern ermordete, ist Mandrill besessen vom Wunsch nach persönlicher Rache. Dem würde seine heutige Profession entgegen kommen, denn Mandrill verdient sein Geld als Auftragskiller für die Unterwelt. Für seinen neusten, bislang gefährlichsten und hoffentlich letzten Auftrag soll er den Gangsterboss "Zyklop" erledigen. Wie sich heraus stellt, heißt der so, weil er ein Auge verlor, als er die Eltern von Mandrill killte. Leider hat der Zyklop auch eine schöne Tochter, und in die verliebt sich Mandrill.
Der Regisseur:
Ernesto Díaz Espinoza
Der Autor:
Ernesto Díaz Espinoza
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Marko Zaror as Antonio Espinoza 'Mandrill' |
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Celine Reymond as Dominik Del Solar |
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Alejandro Castillo as Tío Chone |
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Luis Alarcón as Don Mario |
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Augusto Schuster as Teen Mandrill |
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Francisco Jovanni Guerrero as Mandrill (Baby) |
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Juan Pablo Aliaga as El Cíclope |
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Miguel Ángel de Luca as Felipe Wasca |
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María José Prieto as Juliana |
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Otilio Castro as Waldo |
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Catalina Olcay as Lucía |
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John Francis Meany as Colotho |
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Constanza B. Majluf as Mandrill's Mother |
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Francisco Chavez as René |
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Alessandra Guerzoni as The Bar 'Godess' |
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Francisco Castro as 'Three Brothers' |
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Andrés Cid as Bosao / Jacuzzi Guard 1 |
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Rocco as Bellboy |
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Alfredo Tello as 'Multy-Man' ('John Colt' segment) / Casino Hallway Guard 3 / Casino Stairways Guard 15 |
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Carolina Hurtado as Agent 96 ('John Colt' segment) |
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Nicolás Ibieta as 'Handyman' ('John Colt' segment) |
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Constanza Alemparte as Saborosa ('John Colt' segment) |
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Maria Paz Sepulveda as Niurka Sandoval ('John Colt' segment) |
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Mauricio Pesutic as 'El Cíclope' (voice) |
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Ernesto Díaz Espinoza as John Colt (voice) |
| Sound | Marcos De Aguirre | Sound Post Production Coordinator |
| Directing | Ernesto Díaz Espinoza | Director |
| Costume & Make-Up | Lorena Molina | Makeup Artist |
| Costume & Make-Up | Carolina Norero | Costume Design |
| Production | Jorge Soto | Production Manager |
| Editing | Ernesto Díaz Espinoza | Editor |
| Production | Derek Rundell | Producer |
| Production | Marko Zaror | Producer |
| Camera | Nicolás Ibieta | Camera Operator |
| Sound | Soledad Vargas | Foley |
| Sound | Nadine Voullième | ADR Editor |
| Camera | Diego Casanova | Assistant Camera |
| Sound | Rocco | Music Arranger |
| Directing | Haroldo Muñoz | Continuity |
| Sound | Nadine Voullième | Dialogue Editor |
| Sound | Christian Cosgrove | Sound Effects Designer |
| Crew | Alfredo Tello | Stunts |
| Sound | Mauricio Molina | Sound Mixer |
| Writing | Ernesto Díaz Espinoza | Screenplay |
| Art | Marisol Torres | Art Designer |
| Camera | Claudia Serrano | Second Assistant Camera |
| Art | Jose Luis Muñoz | Set Decoration |
| Sound | Karen Cruces | ADR Recordist |
| Sound | Rocco | Original Music Composer |
| Crew | Andrés Cid | Stunts |
| Directing | Rosario Onetto | First Assistant Director |
| Sound | Mauricio Castañeda | Foley |
| Crew | Marko Zaror | Choreographer |
| Art | Mauricio Céspedes | Art Direction |
| Sound | Diego Fernández | Sound |
| Camera | Nicolás Ibieta | Director of Photography |
| Sound | Mario Faucher | Dolby Consultant |
| Art | José Berrios | Props |
| Camera | Cristián Gonzalez Santibañez | First Assistant Camera |
| Visual Effects | Ismael Cabrera | Color Designer |
| Sound | Daniel Heusser | Foley |
| Directing | Constanza B. Majluf | Second Assistant Director |
