Nur drei kamen durch (1979)
Ein Amerikaner, ein Deutscher, ein Brite, ein Franzose, ein Kanadier und Fabienne, auch eine Französin, treffen sich 1939 in Paris und feiern ausgelassen ihr Beisammensein. Dabei beschließen Sie, dies jährlich zu wiederholen. Doch der zweite Weltkrieg sorgt schon bald dafür, dass jeder der Sechs auf seine eigene Art in den Krieg gezogen wird und die Treffen sind unmöglich. Der Unterschied zwischen Freund und Feind wird auf einmal durch die Nationalität bestimmt. Und trotzdem kreuzen sich die Wege der Freunde immer wieder auf ganz unterschiedliche Weise in den Wirren und Unruhen des Krieges. Werden die Sechs jemals wie vereinbart zusammentreffen können? Sehr wahrscheinlich nicht mehr zu sechst...
Der Regisseur:
Umberto Lenzi
Die Autor:
José Luis Martínez Mollá, Gianfranco Clerici.
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George Peppard as Brett Rosson |
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George Hamilton as Maurice Bernard |
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Horst Buchholz as Jürgen Dietrich |
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Anny Duperey as Fabienne |
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Jean-Pierre Cassel as Dick Sanders |
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Capucine as Nicole Levine |
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Sam Wanamaker as Ray MacDonald |
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Ray Lovelock as Jim Rosson |
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Georges Claisse as Karl Wessel |
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May Heatherly as Mary Jennings |
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Howard Vernon as SS Major Karl |
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Ritza Brown as Jim's girlfriend |
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André Lawrence as Jean |
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Franco Fantasia as l'ufficiale olandese Vanderkreut |
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Lambert Wilson as |
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Stelio Candelli as |
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Vincent Gentile as |
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Herbert Fiala as |
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Sergio Testori as |
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Ángel Aranda as |
| Directing | Umberto Lenzi | Director |
| Art | Giuseppe Bassan | Production Design |
| Production | Edmondo Amati | Producer |
| Camera | José Luis Alcaine | Director of Photography |
| Production | Maurizio Amati | Line Producer |
| Production | Jean Gallaud | Unit Manager |
| Camera | Patrick Berau | Assistant Camera |
| Editing | Carlo Della Corte | Assistant Editor |
| Camera | Roland Reffret | Key Grip |
| Costume & Make-Up | Jo Ranzatto | Assistant Costume Designer |
| Camera | Mario Sbrenna | Camera Operator |
| Costume & Make-Up | Ida Cristofori | Seamstress |
| Costume & Make-Up | Luciano Sagoni | Costume Design |
| Art | Paolo Luciani | Property Master |
| Sound | Marcel Corvaisier | Boom Operator |
| Writing | José Luis Martínez Mollá | Screenplay |
| Directing | Enrico Bergier | Second Unit Director |
| Camera | Michel Lebon | Camera Operator |
| Writing | Umberto Lenzi | Story |
| Directing | Léonard Guillain | First Assistant Director |
| Writing | Gianfranco Clerici | Screenplay |
| Sound | Riz Ortolani | Original Music Composer |
| Camera | Filippo Neroni | Assistant Camera |
| Production | Jacques Garcia | Production Manager |
| Camera | Giovanni Bonivento | Assistant Camera |
| Editing | Pietro Tomassi | Assistant Editor |
| Editing | Vincenzo Tomassi | Editor |
| Crew | Giovanni Corridori | Special Effects |
| Directing | Elvira D'Amico | Script Supervisor |
| Production | Catherine Dieudonne | Production Secretary |
| Camera | Carlo Alberto Cocchi | Still Photographer |
| Art | Jean Boulet | Set Decoration |
| Production | Enrique Bellot | Production Manager |
| Sound | William Robert Sivel | Sound |
| Production | Giandomenico Stellitano | Unit Manager |
| Production | Francisco Bellot | Unit Manager |
| Editing | Lamberto Mancini | Assistant Editor |
| Lighting | Francesco Cinti | Gaffer |
| Lighting | Marcel Roux | Gaffer |
| Production | Carla Crovato | Production Secretary |
| Camera | Guglielmo Maga | Key Grip |
| Sound | Romano Pampaloni | Sound Mixer |
| Art | Davide Bassan | Assistant Production Design |
| Sound | Georges Vaglio | Sound Engineer |
