Ein Mann zu jeder Jahreszeit (1966)
König Heinrich der VIII. will sich von seiner Frau scheiden lassen, um seine Geliebte Anne Boleyn zu heiraten. Aber Thomas More, Günstling und Vertrauter des Königs, versucht ihn von seinem Vorhaben abzubringen. Eine Flut von Intrigen bricht über Thomas More herein, um ihn am Hofe in Ungnade zu bringen. Aber er ist standhaft bis zu seinem tragischen Ende.
Der Regisseur:
Fred Zinnemann
Der Autor:
Robert Bolt
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Paul Scofield as Thomas More |
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Wendy Hiller as Alice More |
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Leo McKern as Thomas Cromwell |
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Robert Shaw as King Henry VIII |
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Orson Welles as Cardinal Wolsey |
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Susannah York as Margaret More |
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Nigel Davenport as The Duke of Norfolk |
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John Hurt as Richard Rich |
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Corin Redgrave as William Roper (the Younger) |
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Colin Blakely as Matthew |
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Cyril Luckham as Archbishop Cranmer |
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Jack Gwillim as Chief Justice |
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Thomas Heathcote as Boatman |
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Yootha Joyce as Averil Machin |
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Anthony Nicholls as King's Representative |
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John Nettleton as Jailer |
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Eira Heath as Matthew's Wife |
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Molly Urquhart as Maid |
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Paul Hardwick as Courtier |
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Michael Latimer as Norfolk's Aide |
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Philip Brack as Captain of Guard |
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Martin Boddey as Governor of Tower |
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Eric Mason as Executioner |
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Matt Zimmerman as Messenger |
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Vanessa Redgrave as Anne Boleyn |
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Fiona Hartford as 1st Handmaiden (uncredited) |
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Gay Hamilton as 2nd Handmaiden (uncredited) |
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Gina Warwick as 3rd Handmaiden (uncredited) |
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Julie Martin as 2nd Maid (uncredited) |
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Raymond Adamson as (uncredited) |
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Arnold Ridley as Innkeeper (uncredited) |
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Nick Tate as Master at Arms (uncredited) |
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David Collings as King's Messenger (uncredited) |
| Art | John Box | Production Design |
| Costume & Make-Up | Elizabeth Haffenden | Costume Design |
| Production | Fred Zinnemann | Producer |
| Sound | Georges Delerue | Original Music Composer |
| Writing | Robert Bolt | Theatre Play |
| Editing | Ralph Kemplen | Editor |
| Directing | Fred Zinnemann | Director |
| Production | William N. Graf | Executive Producer |
| Production | Robert Lennard | Casting |
| Costume & Make-Up | Joan Bridge | Costume Design |
| Writing | Robert Bolt | Screenplay |
| Camera | Ted Moore | Director of Photography |
| Art | Terence Marsh | Art Direction |
| Camera | Michael Walter | Key Grip |
| Editing | Marcel Durham | Assistant Editor |
| Costume & Make-Up | Helene Bevan | Hairdresser |
| Directing | Connie Willis | Continuity |
| Art | Peter Dukelow | Construction Manager |
| Costume & Make-Up | Gordon Bond | Hairdresser |
| Directing | Patrick Carey | Second Unit Director |
| Costume & Make-Up | Jackie Cummins | Wardrobe Master |
| Art | Roy Walker | Assistant Art Director |
| Directing | Peter Bolton | Assistant Director |
| Sound | Bob Jones | Sound |
| Sound | Georges Delerue | Conductor |
| Camera | Bob Kindred | Camera Operator |
| Costume & Make-Up | Eric Allwright | Makeup Artist |
| Crew | Patrick McLoughlin | Technical Advisor |
| Art | Josie MacAvin | Set Dresser |
| Sound | Harry Miller | Sound Editor |
| Production | William Kirby | Production Supervisor |
| Costume & Make-Up | George Frost | Makeup Artist |
| Sound | Buster Ambler | Sound |
