07/26/1900
Budapest, Austria-Hungary [now Hungary]:
Károly Vidor, beruflich Charles Vidor, war ein ungarischer Filmregisseur jüdischer Herkunft. Er wanderte 1922 in die USA aus und arbeitete dort in der Filmindustrie. Bekannt wurde er erstmals in den letzten Jahren der Stummfilmära.
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Song Without End (1960) Director |
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A Farewell to Arms (1957) Director |
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The Joker is Wild (1957) Director |
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The Swan (1956) Director |
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Love Me or Leave Me (1955) Director |
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Rhapsody (1954) Director |
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Hans Christian Andersen (1952) Director |
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Thunder in the East (1952) Director |
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It's a Big Country (1951) Director |
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The Loves of Carmen (1948) Director |
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The Loves of Carmen (1948) Producer |
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Gilda (1946) Director |
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Over 21 (1945) Director |
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A Song to Remember (1945) Director |
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Together Again (1944) Director |
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Cover Girl (1944) Director |
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The Desperadoes (1943) Director |
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The Tuttles of Tahiti (1942) Director |
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New York Town (1941) Director |
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Ladies in Retirement (1941) Director |
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The Lady in Question (1940) Director |
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My Son, My Son! (1940) Director |
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Those High Grey Walls (1939) Director |
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Blind Alley (1939) Director |
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Romance of the Redwoods (1939) Director |
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She's No Lady (1937) Director |
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The Great Gambini (1937) Director |
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A Doctor's Diary (1937) Director |
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Muss 'em Up (1936) Director |
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His Family Tree (1935) Director |
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The Arizonian (1935) Director |
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Strangers All (1935) Director |
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Double Door (1934) Director |
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Sensation Hunters (1933) Director |
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Me and My Gal (1932) Additional Writing |
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The Mask of Fu Manchu (1932) Producer |
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Good Sport (1931) Writer |
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The Bridge (1929) Director |
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The Bridge (1929) Screenplay |