Edita (2022)
In the 80s during the military dictatorship in Chile, my uncle Jarda came from Europe, with a VHS camera. He brought the ashes of his mother, my great – aunt Edita. They said that she lost her mind, was a Trotskyist and Bauhaus Student. They did not want to talk about politics and religion. A dialogue between madness and sanity, certainty and uncertainty, neurosis and wisdom. Was Edita really crazy?
Director:
Pamela Pollak
Writers:
Jarda Rindler, Coti Donoso, Pamela Pollak.
| Production | Cristóbal Sotomayor | Producer |
| Production | Pamela Pollak | Producer |
| Production | Carolina Ojalvo | Producer |
| Directing | Pamela Pollak | Director |
| Writing | Jarda Rindler | Screenplay |
| Camera | Alejandro Peralta | Director of Photography |
| Sound | Mauricio Molina | Sound |
| Writing | Coti Donoso | Screenplay |
| Editing | Titi Viera-Gallo | Editor |
| Sound | Nadine Voullième | Sound |
| Writing | Pamela Pollak | Screenplay |
