Alim (1926)
Crimea. The middle of the 19th century. A proud and brave jigit Alim Aidamak who cannot put up with the workers’ abuse, works at the leather factory of the greedy Ali-bay. One day he responds in kind. He is fired, but he takes the memories of the beautiful daughter of his ex-master, Sara, with him. Young people went their separate ways. Alim takes the revolutionary path; he and his friends go to the mountains and start an underground struggle. Only his name is enough to terrify landlords, Mirzas and civil servants. Authorities send a Cossack detachment to catch the Crimean Tatar Robin Hood. The adventure film, which reminds an American western, was filmed based on a Crimean Tatar legend, which in 1925 was turned into a play by the repressed Crimean Tatar writer Ipchi Ümer. The shooting of the film under the script of the Ukrainian avant-garde poet Mykola Bazhan began in the autumn of 1925, when the indigenisation policy in the national republics caused demand on the national plots.
Director: Heorhiy Tasin
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Heiri Emirzade as Alim |
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Assie Emir-zade as Sara |
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Oleksandr Arbo as Police chief |
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Mikhail Arbenin as Ibrahim Mirza, a rich man |
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V. Kolpashnikov as Ali-bay, Alim’s master |
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H. Marynchak as Rodzhen / Redzhen |
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B. Goncharov as Murza Bat |
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A. Narovskiy as Petrenko |
| Directing | Heorhiy Tasin | Director |
| Writing | Mykola Bazhan | Writer |
| Writing | Ipchi Ümer | Writer |
| Camera | Vladimir Lemke | Director of Photography |
| Camera | Andrey Mains | Director of Photography |
| Art | Robert Scharfenberg | Production Design |
| Camera | Mikhail Belsky | Director of Photography |