DVA (2023)
Sirens drone over the city, announcing a state of emergency involving “disturbance of the electromagnetic field”, while individuals clandestinely fiddle with soldered bits of leftover technology. The cyberpunk mode of dystopian science fiction did not end in the 1990s; thanks to the pandemic and other crises, it’s back – with a vengeance. Alexandra Karelina’s film, superbly shot by Egor Protsko, treats this genre in an experimental way, flashing cryptic images and offering bottomless scenarios of social breakdown.
Director:
Alexandra Karelina
Writer:
Alexandra Karelina
 |
Wassilij Kondrashov as |
| Directing | Alexandra Karelina | Director |
| Editing | Alexandra Karelina | Editor |
| Sound | Darya Zvezdina | Original Music Composer |
| Production | Sergey Yahontov | Producer |
| Camera | Egor Protsko | Director of Photography |
| Sound | Felix Mirensky | Sound Designer |
| Writing | Alexandra Karelina | Screenplay |
