Mahler: Symphony No. 5 (2021)
For Mahler, symphonies always were a means of interpreting the most convoluted philosophical problems that couldn’t be resolved verbally. The ambitious structure of the five-part Fifth Symphony spans from the Funeral March to the roaring finale. It is a forthright attempt to resolve the tragic conflict with the surrounding world. The brilliant fourth part of the symphony, Adagietto, resembles a beautifully mysterious flower that every conductor reimagines in their own style. As one of the twentieth century’s most influential maestros, Mahler redefined the conductor’s role. For him, the conductor is just as integral to his own musical works as they are to the composer. When a maestro steps onto the podium and opens the score, he recreates musical universes from scratch. Teodor Currentzis and the musicAeterna orchestra have performed Mahler’s symphonies around the world for many years. The Fifth Symphony has earned its place as one of the highlights of the cycle.
Director: John Blanch
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Teodor Currentzis as Self – Conductor |
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musicAeterna as Self – Orchestra |
| Sound | Teodor Currentzis | Conductor |
| Production | Laurent Lesperon | Producer |
| Sound | Théo Theres | Sound Engineer |
| Directing | John Blanch | Director |
| Sound | Maximilien Ciup | Recording Supervision |
| Camera | Julien Jaunet | Director of Photography |
| Sound | Alexey Retinsky | Original Music Composer |
| Sound | Gustav Mahler | Original Music Composer |
