The Deb (2026)
Taylah Simpkins, a rural teenage outcast aims to redefine herself at her town's Debutante Ball. When her cynical city cousin, Maeve, is sent to stay with her, they clash before teaming up to disrupt the status quo, finding self-acceptance and dates in the process.
Director:
Rebel Wilson
Writer:
Hannah Reilly
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Natalie Abbott as Taylah |
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Charlotte MacInnes as Maeve |
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Shane Jacobson as Rick |
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Rebel Wilson as Janette |
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Stevie Jean as Annabelle |
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Steph Tisdell as Dimity |
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Costa D'Angelo as Dusty |
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Hal Cumpston as Mitch |
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Julian McMahon as |
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Tara Morice as Shell |
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Scarlett Crabtree as Kid Koala |
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Susan Prior as Tish |
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Naomi Sequeira as Lucinda |
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Ioane Sa'ula as Damo |
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Yasmin Honeychurch as Nicolette |
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Rob Flanagan as Security Detail |
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Karis Oka as Chantelle |
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Sam Simmons as Cop |
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Ben Turland as Razzie |
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Michael Nikou as Male Assistant |
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Andrew Crawford as Dancer |
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Benson Jack Anthony as Dancer |
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Sheree da Costa as Dancer |
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Arianne Hough as Teacher 1 |
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Sophea Pennington as Harriet |
| Directing | Rebel Wilson | Director |
| Production | David Jowsey | Producer |
| Production | Danny Cohen | Executive Producer |
| Production | Vince Holden | Executive Producer |
| Production | Greer Simpkin | Producer |
| Sound | Gunay Demirci | Boom Operator |
| Sound | David Lee | Sound Recordist |
| Sound | Danielle Wiessner | Dialogue Editor |
| Production | Matt Reeder | Co-Producer |
| Production | Megan Washington | Executive Producer |
| Editing | Jane Moran | Editor |
| Costume & Make-Up | Courtney Hudson | Makeup Artist |
| Sound | Michael Yezerski | Original Music Composer |
| Art | Jodie Whetter | Art Direction |
| Editing | Jill Bilcock | Consulting Editor |
| Sound | Terri Bellem | Foley Mixer |
| Production | Amanda Ghost | Producer |
| Art | Sam Hobbs | Production Design |
| Costume & Make-Up | Helen Tuck | Makeup Artist |
| Visual Effects | Jonathan Hairman | VFX Supervisor |
| Writing | Megan Washington | Story |
| Costume & Make-Up | Lynne O'Brien | Makeup Designer |
| Production | Leilani Tomaszewski | Production Manager |
| Sound | Rachel Larkin | Boom Operator |
| Visual Effects | David Trethewey | Special Effects Supervisor |
| Visual Effects | Madeleine Ellis | Visual Effects Coordinator |
| Writing | Hannah Reilly | Screenplay |
| Production | Rebel Wilson | Producer |
| Sound | Sean Rogers | Assistant Foley Artist |
| Sound | Alicia Slusarski | Sound Effects Editor |
| Crew | Rebel Wilson | Additional Writing |
| Costume & Make-Up | Donna Kennedy | Makeup Artist |
| Costume & Make-Up | Ellie May Mansfield | Makeup Artist |
| Art | Martin Williams | Set Decoration |
| Costume & Make-Up | Margot Wilson | Costume Design |
| Visual Effects | Kayleigh Symonds | VFX Artist |
| Production | Len Blavatnik | Producer |
| Sound | Megan Washington | Music |
| Costume & Make-Up | Amanda Finlay | Key Hair Stylist |
| Sound | Beth Bezzina | ADR Editor |
| Camera | Ross Emery | Director of Photography |
| Production | Kirsty McGregor | Casting |
| Writing | Hannah Reilly | Original Film Writer |
| Production | Gregor Cameron | Producer |
| Production | Tiare Tomaszewski | Line Producer |
| Costume & Make-Up | Mariel McClorey | Key Makeup Artist |
| Sound | Les Fiddess | Foley Supervisor |
| Sound | Liam Egan | Sound Designer |
| Crew | Ian Eisendrath | Executive Music Producer |
| Sound | Ian Eisendrath | Music Supervisor |
| Writing | Megan Washington | Lyricist |
| Writing | Hannah Reilly | Lyricist |
| Crew | Michaeljon Slinger | Associate Choreographer |
| Crew | Rob Ashford | Choreographer |
