After Tomorrow (1932)
In the Depression, Pete and Sidney are good kids, working hard, giving money to their parents, and engaged for three years while they save to get married. Each has a selfish mother: Sydney's is cold, Pete's is clingy. Sidney's mother is looking for her own happiness, no matter how much that search harms her daughter and long-suffering husband; and, the longer the engagement lingers, the more pressure Pete's mom puts on Sidney to break it off and set her son free. "After Tomorrow" is Pete and Sidney's favorite song, but with illness, poverty, and temptation: will that good day ever come?
Director:
Frank Borzage
Writer:
Sonya Levien
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Charles Farrell as Peter Piper |
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Marian Nixon as Sidney Taylor |
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Minna Gombell as Else Taylor |
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William Collier Sr. as Willie Taylor |
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Josephine Hull as Mrs. Piper |
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William Pawley as Malcolm Jarvis |
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Greta Granstedt as Betty |
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Ferdinand Munier as Mr. Beardsley |
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Nora Lane as Florence Blandy |
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John Arledge as Office Worker / Wedding Rehearsal Guest |
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Lita Chevret as Office Worker / Wedding Rehearsal Guest |
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Ben Hall as Soad Jerk |
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Ralph Morgan as Dr. Sullivan |
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Rosa Rosanova as One of Taylor's Neighbors |
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Lucille Ward as One of Mrs. Piper's Neighbors |
| Directing | Frank Borzage | Director |
| Sound | Hugo Friedhofer | Original Music Composer |
| Costume & Make-Up | Guy S. Duty | Costume Design |
| Editing | Margaret Clancey | Editor |
| Camera | James Wong Howe | Director of Photography |
| Art | William S. Darling | Art Direction |
| Writing | John Golden | Theatre Play |
| Writing | Hugh Stanislaus Stange | Theatre Play |
| Directing | Lew Borzage | Assistant Director |
| Camera | Dave Ragin | Camera Operator |
| Writing | Sonya Levien | Screenplay |
| Sound | George Leverett | Sound Recordist |
| Camera | H.C. Smith | Assistant Camera |
| Camera | Paul Lockwood | Assistant Camera |
| Camera | Bert Lynch | Still Photographer |
