Time Can Never Mend (2022)
Time - a fluxional notion floating all around us, yet which we can’t catch sight of. The flick ‘Time can never mend’ is all about the conception of ‘time’, yoked together one and the same but not as they seem on the extent of existence of the ‘dramatis personae’. The existence of the characters circulate in the loop of different timelines as if their future may randomly strike their past or change their fate with esoteric cause-effect link. The film revolves around one central character, the exploration of his odds and probabilities affected by time with apparent variations of the laws of chance. Commencing an asymptote, the film focuses on a connection to a thread beyond time.
Director:
Indrajit Das
Writer:
Indrajit Das
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Dipu Dutta as Sameer aka J5 & J10 |
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Sudipta Roy as Jolly6 |
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Aritra Dey as Jolly 7 & P10 |
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Debdutta Saha as P1 & Driver |
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Indrajit Das as P1 & Jolly5 |
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Ruma Roy as "Sameer's Girlfriend" - Voiceover Artist |
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Armin Steigenberger as "Narrator in German and English" - Voiceover Artist |
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Sandhya Biswas as "Narrator in Nepali" - Voiceover Artist |
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Pritam Paul as "Jolly5" - Dubbing Artist |
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Sanju M. Chowdhury as "Sameer" - Dubbing Artist |
| Directing | Indrajit Das | Director |
| Writing | Indrajit Das | Writer |
| Writing | Indrajit Das | Screenplay |
| Crew | Indrajit Das | Cinematography |
| Sound | Paramanu Sarkar | Music |
| Camera | Indrajit Das | Camera Operator |
| Camera | Pritam Paul | Camera Operator |
| Camera | Aritra Dey | Camera Operator |
| Lighting | Pritam Paul | Lighting Technician |
| Lighting | Indrajit Das | Lighting Director |
| Production | Panchatapa | Production Manager |
| Sound | Paramanu Sarkar | Foley Artist |
| Crew | Armin Steigenberger | Translator |
| Crew | Tisha Mukherjee | Translator |
| Editing | Indrajit Das | Editor |
| Sound | Paramanu Sarkar | Audio Post Coordinator |
| Sound | Paramanu Sarkar | Sound Designer |
| Visual Effects | Indrajit Das | VFX Artist |
| Writing | Indrajit Das | Dialogue |
| Camera | Dipu Dutta | Still Photographer |