The Best Reward (2024)
Mattia is 17 years old. Raised in a post-industrial province and experiencing an identity crisis, he is the son of a trade unionist and a housewife. Hypersensitive and fragile, he expresses himself through hip-hop music. The death of his older brother begins a period of great changes. Mattia leaves school, starts working in a factory and, through a North African colleague, approaches Islam. Prey to a lacerating restlessness, Mattia takes the path of progressive isolation and radicalization.
Director:
Federico Ferrone
Writers:
Giampiero Rigosi, Federico Ferrone.
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Luka Zunic as Mattia |
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Fabrizio Ferracane as Mattia's Father |
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Abdessamad Bannaq as Muhrad |
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Giulia Valenti as Marisa |
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Lawrence Hachem Ebaji as Rashid |
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Francesca Rabbi as Laura |
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Laura Pizzirani as Secretary |
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Davide Lora as Worker |
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Giuseppe Sepe as Gianni |
| Sound | İlbey Kaya | Foley Recordist |
| Lighting | Giovanni Lupi | Gaffer |
| Sound | Simonluca Laitempergher | Music |
| Crew | Olivier Coussemacq | Additional Writing |
| Production | Rachida Saadi | Executive Producer |
| Costume & Make-Up | Francesca Bellucci | Costume Design |
| Writing | Giampiero Rigosi | Screenplay |
| Production | Antoine Simkine | Executive Producer |
| Sound | Giovanni Frezza | Sound |
| Sound | Francesco Parolari | Sound |
| Production | Fabio Aquila | Production Secretary |
| Production | Simone Bachini | Producer |
| Directing | Marcello Montù | First Assistant Director |
| Costume & Make-Up | Loredana Vitale | Wardrobe Coordinator |
| Costume & Make-Up | Marianna Pellino | Costume Assistant |
| Camera | Salvatore Lucchese | Director of Photography |
| Art | Luca Marches | Props |
| Production | Leonardo Fabbri | Assistant Production Manager |
| Production | Gregorio Maraschini Montanari | Production Manager |
| Directing | Sara Cavani | Continuity |
| Editing | Maria Fantastica Valmori | Editor |
| Visual Effects | Valerio Oss | Visual Effects Supervisor |
| Camera | Graziano Di Domenico | Key Grip |
| Editing | Walter Cavatoi | Colorist |
| Production | Chiara Coller | Casting Associate |
| Production | Massimo Lorenzato | Location Manager |
| Directing | Federico Ferrone | Director |
| Writing | Federico Ferrone | Screenplay |
| Production | Mario Chemello | Producer |
| Sound | Murat Şenürkmez | Foley Artist |
| Camera | Morgan Maugeri | First Assistant Camera |
| Costume & Make-Up | Tarita Castellari | Makeup Artist |
| Directing | Bruno Carli | Second Assistant Director |
| Directing | Andrea Zangheri | Third Assistant Director |
| Production | Francesco Maria Febei | Assistant Production Manager |
| Sound | Can Öner | Foley Recordist |
| Camera | Francesco Corbellini | Grip |
| Sound | Reda Raissi | Boom Operator |
| Art | Sara Pergher | Props |
| Camera | Piero Passaro | Data Wrangler |
| Art | Tessa Battisti | Production Design |
| Costume & Make-Up | Regina Lunelli | Key Makeup Artist |
| Camera | Corrado Zito | Second Assistant Camera |
| Editing | Eleonora Carbone | Assistant Editor |
| Production | Marta Rossi Castelvetro | Production Coordinator |
| Writing | Federico Ferrone | Story |
| Writing | Giampiero Rigosi | Story |
| Writing | Olivier Coussemacq | Co-Writer |
