El turno de la aullante (2024)
Naomi awaits outside a prison for the release of Fidel, the man responsible for the death of her family. She furtively follows the man during his first hours of liberty. Fearing that she has lost track of him in a bar, Naomi decides to enter the place and accidentally reveals herself to Fidel, carrying a weapon and a desire for revenge that are increasingly difficult to hide.
Director: Bayron Norman
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María Aragón as Naomi |
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Arturo Vázquez Domínguez as Fidel |
| Sound | Mabe Fratti | Music |
| Sound | Roberto de Valle | Sound |
| Writing | Bayron Norman | Writer |
| Crew | Ian Elizalde | Script |
| Camera | Marta Moreno | Director of Photography |
| Production | Luis Arteaga | Production Director |
| Directing | Bayron Norman | Director |
| Production | Omar Mora | Production Director |
| Directing | Jocelyn Maldonado | Assistant Director |
| Art | Dení Caro | Art Direction |
| Editing | Ian Elizalde | Editor |
| Editing | Bayron Norman | Editor |
| Art | Brenda Salazar | Assistant Art Director |
| Camera | Alejandro Sosa | First Assistant Camera |
