El turno de la aullante (2024)
Naomi awaits outside a prison for the release of Fidel, the man responsible for the death of her family. She furtively follows the man during his first hours of liberty. Fearing that she has lost track of him in a bar, Naomi decides to enter the place and accidentally reveals herself to Fidel, carrying a weapon and a desire for revenge that are increasingly difficult to hide.
Director: Bayron Norman
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María Aragón as Naomi |
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Arturo Vázquez Domínguez as Fidel |
| Directing | Bayron Norman | Director |
| Camera | Marta Moreno | Director of Photography |
| Production | Luis Arteaga | Production Director |
| Production | Omar Mora | Production Director |
| Sound | Mabe Fratti | Music |
| Sound | Roberto de Valle | Sound |
| Art | Dení Caro | Art Direction |
| Writing | Bayron Norman | Writer |
| Directing | Jocelyn Maldonado | Assistant Director |
| Editing | Bayron Norman | Editor |
| Editing | Ian Elizalde | Editor |
| Crew | Ian Elizalde | Script |
| Art | Brenda Salazar | Assistant Art Director |
| Camera | Alejandro Sosa | First Assistant Camera |
