Green Line (2026)
The film opens on a tale with animated figurines in miniature settings reconstructing Fida’s childhood during the war. It then shifts to a documentary style with a series of real confrontations between Fida and ex-militiamen manipulating the small figurines. The miniature material becomes a bridge between different subjective stories, infusing the collective history with individual details. The experience of this confrontational space turns out to be cathartic. The narrative moves around between realities and temporalities.
Director: Sylvie Ballyot
| Writing | Sylvie Ballyot | Writer |
| Production | Céline Loiseau | Producer |
| Sound | Luc Meilland | Sound Editor |
| Writing | Fida Bizri | Writer |
| Production | Luc Camilli | Co-Producer |
| Editing | Charlotte Tourrès | Editor |
| Sound | Tatiana El Dadah | Sound |
| Sound | Jocelyn Robert | Sound Mixer |
| Sound | Luc Meilland | Music |
| Production | Jean-Laurent Csinidis | Co-Producer |
| Sound | Sylvie Ballyot | Music |
| Production | Céline Loiseau | Executive Producer |
| Directing | Sylvie Ballyot | Director |
| Camera | Sylvie Ballyot | Director of Photography |
| Editing | Sylvie Ballyot | Editor |
| Camera | Béatrice Kordon | Director of Photography |
