En lo oscuro no se ve (2024)
After a long day of work, Clarisa arrives home exhausted, where her little son is waiting for her asleep.
Director: Lucas Mendoza
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Azul Balmas as Clarisa |
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Simón Godoy as Nachito |
| Production | Lucas Mendoza | Producer |
| Art | Matías Cagnani | Assistant Director of Photography |
| Camera | Matías Cagnani | Camera Operator |
| Production | Zeferí Encina Leveratto | Producer |
| Writing | Lucas Mendoza | Writer |
| Directing | Lucas Mendoza | Director |
| Production | María Laura Moyano | Producer |
| Directing | María Laura Moyano | Assistant Director |
| Camera | Lucas Mendoza | Director of Photography |
| Lighting | Zeferí Encina Leveratto | Lighting Technician |
| Sound | Zeferí Encina Leveratto | Sound Post Supervisor |
| Camera | Lucas Mendoza | Focus Puller |
| Lighting | Matías Cagnani | Gaffer |
| Sound | Zeferí Encina Leveratto | Sound |
| Camera | María Laura Moyano | Clapper Loader |
| Camera | Lucas Mendoza | Clapper Loader |
| Camera | Simón Godoy | Clapper Loader |
| Crew | Alan Valsangiacomo | Thanks |
| Art | María Laura Moyano | Set Decoration |
| Crew | Martín Masse | Thanks |
| Art | Natán Silvestre | Set Decoration |
| Crew | Milena Marcipar | Thanks |
| Lighting | Matías Cagnani | Lighting Technician |
| Lighting | Lucas Mendoza | Gaffer |
| Editing | Lucas Mendoza | Color Grading |
| Crew | Simón Godoy | Catering |
| Art | María Laura Moyano | Art Direction |
| Editing | Zeferí Encina Leveratto | Editor |
| Camera | Matías Cagnani | Focus Puller |
| Costume & Make-Up | María Laura Moyano | Makeup & Hair |
| Camera | María Laura Moyano | Still Photographer |
| Lighting | Simón Godoy | Lighting Technician |
| Camera | Lucas Mendoza | Camera Operator |
| Lighting | Lucas Mendoza | Lighting Technician |
| Editing | Lucas Mendoza | Assistant Editor |
| Costume & Make-Up | María Laura Moyano | Costume Design |
| Sound | Zeferí Encina Leveratto | Boom Operator |
| Camera | Matías Cagnani | Clapper Loader |