Exposed skin, skin located outside. (2013)
Neither the skin nor the filmic material is exempt from the temporal becoming and its consequent growing degradation. Both have such a fragile sensitivity that their potential for intervention seems to be infinitely finite, yet a common point seems to open a gulf between them: memory. However, one point in common seems to open an abyss between them: memory. How does dermatological memory operate? The photographic archive sends us back to vital mummification. Virtual skin and digital body exchange mails.
Directors: Nicolás Onischuk, Agustina Arrarás.
| Directing | Nicolás Onischuk | Director |
| Directing | Agustina Arrarás | Director |
