Kebranto (2022)
A snake travels through dreamlike digital landscapes and also through static images of the Amazon rainforest, narrated in a cyclical repetition of a time proposed in the snake's dreams. The film tells a radical fantasy, a possibility of bodily and temporal transmutation from the encounter with the Boitatá snake that feeds on eyes, which, after eating so many of them, turns into living fire. Human beings who look into the snake's eyes are irreversibly transformed.
Directors: Jonas Van, Juno B.