Hamlet - Teatro Regio Torino (2025)
With its lively dances, ghost scenes and touching arias, Hamlet was Ambroise Thomas’s single great success of the Paris Opera, remaining in its repertoire for decades after the 1868 premiere. On the opening night, the title role was sung by a baritone, as has become the custom ever since. With the rediscovery of the original score in recent years, it transpires that Thomas originally scored the role of Hamlet for a tenor. In this new production of Teatro Regio Torino, the tenor John Osborn is the tormented prince, singing the celebrated monologue “To be or not to be” (“Être ou ne pas être”). Sara Blanch sings Ophélie, whose pyrotechnic aria in the mad scene is a pièce de résistance for a coloratura soprano. Under the musical direction of Jérémie Rhorer, the production is directed by Jacopo Spirei.
Director: Jacopo Spirei
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John Osborn as Hamlet, Prince of Denmark |
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Sara Blanch as Ophélie, daughter of Polonius |
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Clémentine Margaine as Gertrude, Queen of Denmark and mother of Hamlet |
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Riccardo Zanellato as Claudius, King of Denmark |
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Julien Henric as Laërte, son of Polonius |
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Alastair Miles as Ghost of the late King, Hamlet’s father |
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Alexander Marev as Marcellus officer, friend of Hamlet |
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Tomislav Lavoie as Horatio officer, friend of Hamlet |
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Nicolò Donini as Polonius, Lord Chamberlain of the Royal Household |
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Janusz Nosek as First Gravedigger |
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Maciej Kwasnikowski as Second Gravedigger |
| Sound | Ambroise Thomas | Original Music Composer |
| Writing | Jules Barbier | Writer |
| Writing | Michel Carré | Writer |
| Directing | Jacopo Spirei | Director |
| Sound | Jérémie Rhorer | Conductor |
| Art | Gary McCann | Set Designer |
| Costume & Make-Up | Giada Masi | Costume Designer |
| Crew | Ron Howell | Choreographer |
| Lighting | Fiammetta Baldiserri | Lighting Design |