'The Cranes are Flying' and Soviet Cinema (2020)
Film scholar Ian Christie unpacks why 'The Cranes Are Flying' is such a landmark of Soviet cinema, breaking away as it did from decades of forcibly pro-state propaganda with its focus on individual tragedy and its ambivalence about the heroism of war.
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Ian Christie as Self |
| Production | Kim Hendrickson | Executive Producer |
| Production | Peter Becker | Executive Producer |
| Production | Fumiko Takagi | Executive Producer |
| Production | Jonathan Turell | Executive Producer |
| Production | Elizabeth Pauker | Producer |
| Editing | Iván Cortázar | Editor |
| Editing | Gabriel Chávez | Online Editor |
| Camera | Rob Goldie | Camera Operator |
| Sound | Ian Maclagan | Sound Recordist |
| Production | Andrew Alvarez | Post Production Coordinator |
| Crew | Giles Sherwood | Post Production Supervisor |
| Production | Angie Bucknell | Production Director |
| Sound | Vasilis Fotopoulos | Sound Mixer |
| Sound | Ryan Hullings | Sound Supervisor |
| Visual Effects | Julie Sussman | Photo Retouching |
| Crew | Stéphane Pecharman | Quality Control Supervisor |
