The Good Daughter (2026)
After her parents’ separation, Carmela and her mother move into her grandmother’s home. As Carmela struggles to adjust to her new reality, she longs to spend more time at her father’s place, a visual artist she both admires and idolizes. His presence looms over the three generations of women, pushing them to confront and decide the future they each deserve.
Director: Júlia de Paz
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Kiara Arancibia as Carmela |
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Janet Novás as Marta |
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Petra Martínez as Pepa |
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Julián Villagrán as Father |
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Sandra Pujol as Sílvia |
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Marta Millà as Lola |
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Alea Montesinos as Mire |
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Claudia Ávila as Sandra |
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Oscar Rubio as Edgar |
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Marcel Sanchez as Albert |
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Martí Ribot as Pau |
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Iona Burriel as Irene |
| Directing | Júlia de Paz | Director |
| Writing | Núria Dunjó | Writer |
| Writing | Júlia de Paz | Writer |
| Production | Maarten D'Hollander | Co-Producer |
| Production | Emília Fort | Executive Producer |
| Production | Sergio Grobas | Producer |
| Production | Tim Martens | Co-Producer |
| Production | Stefan Schmitz | Producer |
| Production | Alfonso Villanueva García | Production Coordinator |
| Sound | Natasha Pirard | Original Music Composer |
| Camera | Sandra Roca | Director of Photography |
| Editing | Oriol Milán | Editor |
| Production | Irene Roqué | Casting Director |
| Art | Víctor Santacana | Production Design |
| Art | Borja Gil Santamaría | Set Decoration |
| Costume & Make-Up | Suevia Sampelayo Vázquez | Costume Design |
| Costume & Make-Up | Renzo Briceño Villacorta | Makeup & Hair |
| Costume & Make-Up | Jesús Martos | Makeup & Hair |
| Costume & Make-Up | Karol Tornaria | Makeup & Hair |
| Production | Alberto Álvarez | Production Manager |
| Production | Cris Lafront | Unit Production Manager |
| Directing | Anna Aran Pérez | Second Assistant Director |
| Directing | Carmen Armenteros | Assistant Director |
| Directing | Nerea García | Additional Third Assistant Director |
| Directing | Vicky Mullor-Caballé | First Assistant Director |
| Directing | Rafael Sastre | Second Assistant Director |
| Art | Mònica Casugas Iserte | Set Decoration Buyer |
| Art | Tomas Klein | Set Dresser |
| Art | Nio Martínez | Set Dresser |
| Art | Llorenç Mas | Painter |
| Sound | Enrique G. Bermejo | Sound Designer |
| Sound | Florent Gailly | Foley Editor |
| Sound | Aline Gavroy | Sound Re-Recording Mixer |
| Sound | Javier R. Cortés | Dialogue Editor |
| Sound | Guillem Sancho | Boom Operator |
| Sound | Vital Tilborghs | Sound Mixer |
| Visual Effects | Mery Villanueva | Visual Effects Supervisor |
| Camera | Thaïs Batlle | Digital Imaging Technician |
| Camera | Mariona González Riba | Second Assistant Camera |
| Lighting | Isaac Martínez | Best Boy Electric |
| Camera | Esther Mestres | First Assistant Camera |
| Lighting | Edgar Solé | Electrician |
| Production | Carmen Romero | Extras Casting |
| Costume & Make-Up | Carla Guillem | Costumer |
| Costume & Make-Up | Marta Martínez | Costume Assistant |
| Costume & Make-Up | Elisabeth Martirena | Costume Assistant |
| Costume & Make-Up | Núria Rovira Balmanya | Set Costumer |
| Crew | Anabel Rodríguez Venzalá | Post Production Assistant |
| Art | Patricia Moral | Location Scout |
| Art | Lautaro Nocquet | Location Scout |
| Directing | Sara Fantova | Script Supervisor |
| Editing | Loup Brenta | Colorist |
| Art | Èlia Basullas | Standby Property Master |
| Art | Beatriz Toro | On Set Props |
