AKIN (2026)
AKIN examines the tension between collective synchronicity and the hidden inner reality of the individual. One protagonist describes her overwhelming feelings, while three other figures appear as aesthetic mirrors of her inner states. In a world that demands perfection and smooth functioning, everyday life continues like a mechanical system even when the inside has long overflowed. The bodies increasingly come under pressure until the structure discharges in synchronous, yet faulty movements. The encounter with an antagonist opens a moment of silent perception and raises the question of whose emotions are actually at work in the space. AKIN reveals a raw, deeply human choreography between adaptation and authentic expression.
Director: Pelin Terzi
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Pelin Terzi as |
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Isa Lientschnigg as |
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Yangjunjie Tian as |
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Selina Sigrist as |
| Directing | Pelin Terzi | Director |
| Production | Pelin Terzi | Producer |
| Crew | Pelin Terzi | Choreographer |
| Writing | Pelin Terzi | Writer |
| Production | Isa Lientschnigg | Associate Producer |
| Camera | Tom Chansiraphet | Director of Photography |
| Editing | Tom Chansiraphet | Editor |
| Editing | Tom Chansiraphet | Colorist |
| Crew | Isa Lientschnigg | Choreographer |
| Crew | Yangjunjie Tian | Choreographer |
| Crew | Selina Sigrist | Choreographer |
| Crew | Manuel Neubauer | Choreographer |
| Costume & Make-Up | Katrin Đuriš | Costume Coordinator |
| Costume & Make-Up | Arina Diakonow | Costume Coordinator |
| Camera | Natalia Czulak | BTS Footage |
| Sound | Joy Orbison | Music |
| Sound | Andrés Sánchez | Music |
| Sound | Eduardo Aram | Music |
| Sound | Gus Reyes | Music |
