The Countess of Baton Rouge (1997)
In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.
Director: André Forcier
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Robin Aubert as Rex Prince |
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Geneviève Brouillette as Paula Paul de Nerval |
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Isabel Richer as Fictionalized Paula Paul |
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David Boutin as Roy Tranquille |
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Frédéric Desager as The Great Zenon - The Cyclops |
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Gaston Lepage as Édouard Doré |
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France Castel as Nuna Breaux |
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Louise Marleau as Angèlie Temporel |
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Francine Ruel as Bébé Crocodile |
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Michèle-Barbara Pelletier as Julie Larousse |
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Marie Eykel as Marie L'Heureux (Passe-par-là) |
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Serge Bonin as |
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Suzanne Cloutier as Virginie Beaufort |
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Shane Gilbeau as L'homme Sandwich |
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Mark Krasnoff as Canon Man |
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LaTitia-DeLaine as Beautiful Albino Woman |
| Directing | André Forcier | Director |
| Sound | Dominique Chartrand | Sound |
| Sound | Michel Cusson | Original Music Composer |
| Camera | André Turpin | Director of Photography |
| Writing | André Forcier | Writer |
| Sound | Guy Pelletier | Sound |
| Sound | Hans Peter Strobl | Sound Mixer |
| Sound | Jérôme Décarie | Sound |
| Sound | Jo Caron | Sound |
| Editing | Richard Comeau | Editor |