Exeter (1972)
Exeter Cathedral in Devonshire, England, is considered to be the finest example of architecture of the Decorated period, 1250-1350. This film rolls back the centuries, unfolding the cathedral's history, showing the refinement of the sculpture that went into its building, from the airy vista of the nave--the longest unbroken stretch of Gothic vaulting in the world--to the vibrant colours of its windows. But more than architecture survives: Exeter is still a living church for the people of today.
Director: Gerald Budner
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Michael Kane as Commentary |
| Directing | Gerald Budner | Director |
| Writing | Michael Kane | Writer |
| Production | Wolf Koenig | Producer |
| Production | Robert Verrall | Executive Producer |
| Crew | Gilles Gascon | Cinematography |
| Crew | Pierre Letarte | Cinematography |
| Crew | Reginald H. Morris | Cinematography |
| Crew | Richard Todd | Cinematography |
| Editing | Margaret Wescott | Editor |
| Sound | Michel Descombes | Sound Re-Recording Mixer |
| Sound | Ted Haley | Location Sound Mixer |
| Sound | Jean-Guy Normandin | Location Sound Mixer |
| Sound | Peter Hearn | Sound Editor |
| Lighting | Séraphin Bouchard | Electrician |
| Camera | Doug Bradley | Camera Department Production Assistant |
| Visual Effects | Jean-Marc Brosseau | Animation |
| Visual Effects | Gerry Roach | Animation |
| Visual Effects | Ronald Webber | Animation |
| Sound | Mary Remnant | Music Director |
| Production | Rosemarie Shapley | Production Assistant |
| Crew | William Dale | Thanks |
