Mir nach, Canaillen (1964)
A wild story set in eighteenth-century Prussia. Alexander can do everything that a real devil of a fellow must be able to do: ride, shoot, love and devise clever plots. As a result, he is able to climb the ladder from herder to chamber master, where he makes a fool of the feudal lords.
Director: Ralf Kirsten
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Manfred Krug as Alexander |
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Monika Woytowicz as Ulrike |
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Fred Düren as Baronin Lübbenau |
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Norbert Christian as Gerichtsherr |
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Marion van de Kamp as Denhoff |
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Helga Göring as Freiin von Lübbenau |
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Marianne Wünscher as Wäscherin |
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Helmut Schreiber as Finanzminister |
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Jutta Wachowiak as Mätresse |
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Erik S. Klein as August der Starke |
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Herwart Grosse as Graf von Übbenau |
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Carola Braunbock as Baronin Übbenau |
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Harald Halgardt as Kronenberg |
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Walter Lendrich as Sekretarius |
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Fritz Decho as Sekretär |
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Heinz Scholz as Notarius |
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Horst Papke as Korporal |
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Hans Hardt-Hardtloff as Soldat in Pulverkammer |
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Peter Dommisch as Gerichtsbüttel |
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Edwin Marian as Page |
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Helmut Bruchhausen as Pape |
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Fritz Links as Fischer |
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Otto-Erich Edenharter as 1. Bauer |
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Gerhard Vogt as 2. Bauer |
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Axel Triebel as Kutscher |
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Willi Neuenhahn as 1. Überlandkutscher |
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Joachim Bober as 2. Überlandkutscher |
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Friedrich Teitge as Diener |
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Lilo Grahn as Bauernmädchen |
| Directing | Ralf Kirsten | Director |
| Art | Hans Poppe | Production Design |
| Writing | Joachim Kupsch | Novel |
| Production | Werner Liebscher | Producer |
| Costume & Make-Up | Ingeborg Wilfert | Costume Design |
| Production | Otto Ziesenitz | Production Manager |
| Sound | André Asriel | Music |
| Writing | Ralf Kirsten | Writer |
| Writing | Manfred Krug | Writer |
| Writing | Ulrich Plenzdorf | Writer |
| Editing | Christel Röhl | Editor |
| Crew | Hans Heinrich | Cinematography |
