Bocal aux poissons rouges (1897)
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
Director: Louis Lumière
| Production | Louis Lumière | Producer |
| Directing | Louis Lumière | Director |
| Production | Auguste Lumière | Producer |
