Homeo (1967)
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
Director: Étienne O'Leary
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Michèle Giraud as Self |
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Yves Beneyton as Self |
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Pierre Clémenti as Self |
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Margareth Clémenti as Self |
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Francis Conrad as Self |
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Barbara Girard as Self |
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Billy Copley as Self |
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Michael Ratledge as Self |
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Cyrille Weiss as Self |
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Priscila Scanio as Self |
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Olivier Mosset as Self |
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Dennis Berry as Self |
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Denis O'Leary as Self |
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Jean-Pierre Scant as Self |
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Michel Asso as Self |
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Michel Auder as Self |
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Juliet Berto as Self |
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François De Menil as Self |
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Piero Heliczer as Self |
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Nicole Laguigner as Self |
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Taylor Mead as Self |
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Véronique O'Leary as Self |
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Étienne O'Leary as Self |
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Frédéric Pardo as Self |
| Directing | Étienne O'Leary | Director |
| Crew | Billy Copley | Cinematography |
| Production | Étienne O'Leary | Producer |
| Sound | Étienne O'Leary | Music |
| Crew | Michèle Giraud | Cinematography |
| Crew | Étienne O'Leary | Cinematography |
| Crew | Pierre Clémenti | Cinematography |
| Editing | Étienne O'Leary | Editor |
