Around Perception (1968)
An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between these screen pyrotechnics appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.
Director: Pierre Hébert
| Directing | Pierre Hébert | Director |
| Visual Effects | Claude Lapierre | Animation |
| Production | Robert Verrall | Producer |
| Sound | Pierre Hébert | Music |