Tell It to the Judge (1949)
Marsha Meredith, an attorney-at-law, is nominated for a federal judgeship, but her nomination is opposed by a 'Good-Government' group that thinks her divorce makes her unfit for the job. This evolves into situations, happening in Florida, New England, Washington D.C., and the Adirondacks, such as the misunderstood husband trying to win back his wife, and the misunderstood wife trying to make her husband jealous, and one case of mistaken identity after another, after another.
Director:
Norman Foster
Writer:
Nat Perrin
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Rosalind Russell as Marsha Meredith |
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Robert Cummings as Pete Webb |
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Gig Young as Alexander Darvac |
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Marie McDonald as Ginger Simmons |
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Harry Davenport as Judge MacKenzie Meredith |
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Fay Baker as Valerie Hobson |
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Katherine Warren as Kitty Lawton |
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Douglass Dumbrille as George Ellerby |
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Clem Bevans as Alonzo K. Roogle |
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Grandon Rhodes as Ken Craig |
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Louise Beavers as Cleo, Marsha's Maid (uncredited) |
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Billy Bevan as Winston, Kitty's Butler (uncredited) |
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Steven Geray as Francois, the Headwaiter (uncredited) |
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Thurston Hall as Sen. Caswell (uncredited) |
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Jay Novello as Gancellos (uncredited) |
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Harlan Warde as Joe, Pete's Associate (uncredited) |
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Ben Welden as Augie (uncredited) |
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Dooley Wilson as Pullman Porter (uncredited) |
| Directing | Norman Foster | Director |
| Writing | Nat Perrin | Screenplay |
| Crew | Roland Kibbee | Additional Dialogue |
| Writing | Devery Freeman | Story |
| Writing | Allan Scott | Writer |
| Production | Buddy Adler | Producer |
| Sound | Werner R. Heymann | Original Music Composer |
| Camera | Joseph Walker | Director of Photography |
| Editing | Charles Nelson | Editor |
| Art | Carl Anderson | Art Direction |
| Art | William Kiernan | Set Decoration |
| Costume & Make-Up | Jean Louis | Costume Design |
| Costume & Make-Up | Helen Hunt | Hairstylist |
| Costume & Make-Up | Fred B. Phillips | Makeup Supervisor |
| Production | Jack Fier | Production Manager |
| Directing | Sam Nelson | Assistant Director |
| Sound | George Cooper | Sound Engineer |
| Lighting | George Hager | Gaffer |
| Camera | Irving Klein | Camera Operator |
| Camera | Irving Lippman | Still Photographer |
| Camera | Emil Oster | Assistant Camera |
| Camera | Pat Sutherland | Grip |
| Sound | Morris Stoloff | Music Director |
| Sound | Harold Byrns | Orchestrator |
| Directing | Dorothy Cumming | Script Supervisor |
