Codo con codo (1967)
Bruno and Micky are two young people who abandon their studies to dedicate themselves to song. When Bruno meets Mayte and becomes a fashionable singer, he forgets about his closest friends. But success is short-lived ... One of the most delirious manifestations that Spanish cinema saw of the 'ye-yé' hatching, with an absolutely priceless Micky, half-self-interpreting, like Bruno Lomas and Massiel. The story revolves around the desire to succeed that drives the trio, as well as the romantic relationships established between them. Seen today, it must be as delicious as it is moving, especially considering that it premiered a year before Massiel caused a national earthquake by winning at the Eurovision Song Contest with the famous "La, la, la".
Director: Víctor Auz
![]() |
Massiel as Herself |
![]() |
Bruno Lomas as Himself |
![]() |
Micky as Himself |
![]() |
Pilar Velázquez as Mayte Alear |
![]() |
Antonio Casas as |
![]() |
Ana Castor as |
![]() |
George Rigaud as Sr. Alear |
![]() |
Marcelo Arroita-Jáuregui as |
![]() |
Claudia Gravy as |
![]() |
Rafaela Aparicio as Juanita |
![]() |
Tote García Ortega as |
![]() |
Montserrat Julió as |
![]() |
Alfredo Santacruz as |
![]() |
Francisco Fernández as |
![]() |
Tomás Martín Blanco as Himself |
![]() |
Pilar Miró as Herself (uncredited) |
![]() |
José Sancho as Amigo de bruno (uncredited) |
| Directing | Víctor Auz | Director |
| Camera | Víctor Monreal | Director of Photography |
| Writing | Víctor Auz | Writer |
| Production | José López Moreno | Producer |
| Sound | Antonio Pérez Olea | Music |
| Editing | Antonio Ramírez de Loaysa | Editor |
| Art | Nananda | Production Design |
| Art | Luis Argüello | Set Decoration |